斯摩棱斯克国家博物馆保护区收藏的卡尔梅克“骨架”头盔

Q2 Arts and Humanities
L. Bobrov, Dmitry P. Alekseev
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引用次数: 0

摘要

介绍。这篇文章是关于存放在斯摩棱斯克国家保护博物馆的一顶铁头盔。OР-375),但从未进行过任何学术研究。我们的目标。本文旨在将该项目引入科学流通,描述其结构和设计,澄清一些年代和归属属性。结果。博物馆试图确定头盔是何时以及如何获得的,但最终一无所获,但根据类型学分析,它仍然可以确定年代和归属。头饰由一大组铆接头盔组成,其特点是四件式王冠和特定的“框架”,由光滑边缘的窄面覆盖和一(两个)窄箍组成。这种类型的头盔配备了一个圆柱形(不太常见的锥形)的头(顶部)与羽管。这种头盔的另一个常见设计元素是一个“盒形”遮阳板。这种头饰来自中亚、南西伯利亚和伏尔加地区,可以追溯到中世纪晚期和近代早期。来自斯摩棱斯克国家保护博物馆的这顶头盔的特点是王冠上的多种装饰图案,以及两部分顶部的形状。很有可能,制作这顶头盔的工匠受到噶当巴传统中佛塔图像的启发。王冠和头盔的其他元素带有锯齿状的装饰,形成了菱形和三角形的图案,以及三趾鸟爪的形状。结论。经检查的头饰的构造和设计结构——包括头环上的佛教符号——表明,这顶头盔是由准噶尔或伏尔加卡尔梅克的铠甲工匠在1610年代至1750年代(很可能是在这一时期的后半期)为一名Oirat佛教战士铸造的。现有的视觉材料证明,这种头盔长期以来一直是大草原游牧民族的武器。所以,特别是,人们可以在19世纪到19世纪20年代的巴什基尔战士的图像上看到它们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Калмыцкий «каркасный» шлем из собрания Смоленского государственного музея-заповедника
Introduction. The article deals with an iron helmet stored at Smolensk State Reserve Museum (inv. no. OР-375) that has never been subject to any academic research. The goal. The paper aims to introduce the item into scientific circulation, describe its construction and design, clarify some dating and attribution properties. Results. The efforts to establish when and how the helmet had been obtained by the museum came to nothing but it can still be dated and attributed on the basis of a typological analysis. The headpiece clusters with a large group of riveted helmets characterized by a four-piece crown and a specific ‘frame’ consisting of narrow faceted overlays with a smooth edge and one (two) narrow hoops. Helmets of this type are equipped with a cylindrical (less often conical) pommel (top) with a plume tube. Another frequent design element of such helmets is a ‘box-shaped’ visor. Such headpieces come from Central Asia, South Siberia, and the Volga Region and are dated back to the Late Middle Ages and early modern period. The helmet from Smolensk State Reserve Museum is distinguished by multiple ornamental patterns on the crown, as well as the shape of the two-part top piece. It is very likely that the armorer to have authored this element of the helmet may have been inspired by images of Buddhist stupas inherent to the Kadampa tradition. The crown and other elements of the helmet bear a jagged ornament that creates rhombic and triangular patterns, as well as ones in the form of three-toed bird claws. Conclusions. The construction and design structures of the examined headpiece — including the Buddhist symbols on the pommel — suggest that the helmet was forged by armorers of Dzungaria or Volga Kalmykia for an Oirat Buddhist warrior between the 1610s and 1750s (most likely in the second half of this period). The available visual materials attest to that such helmets were long used in weaponry of nomads across the Great Steppe. So, in particular, one can see them on images of Bashkir warriors dated to the 1800s–1820s.
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来源期刊
Mongolovedenie
Mongolovedenie Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
30
审稿时长
4 weeks
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