意大利制造的系统愿景:一套相互关联、无形的原则

S. Rech, G. Conti
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引用次数: 0

摘要

本文的目的是研究在设计文化范围内,意大利制造概念作为一套相互关联的原则和价值观(有形和无形)的系统性愿景,这些原则和价值观面向内部(关注运营本身)与外部(关注竞争环境)。考虑到多中心现象,意大利制造的表现源于公司与价值链中存在的生产能力之间的联系,从原材料到最终消费者。因此,目前,从设计文化的角度来分析意大利制造似乎是合适的,因为设计的实践、传播和感知方式发生了质的变化。在这个棱镜中,时尚产品被认为是一种混合产品,其中材料元素由于文化,创意和交流参考的格式而受到重视。采用的研究方法是系统建构主义和定性的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Systemic Vision of Made in Italy: a set of interrelated and intangible principles
The objective of this article is to investigate the systemic vision of the Made in Italy concept as a set of interrelated principles and values (tangible and intangible) oriented towards inward-looking (focus on the operations themselves) versus outward-looking (focus on the competitive context) in the scope of Design Culture.  Considered a polycentric phenomenon, the performance of Made in Italy results from the connection between companies and the productive competence existing in the value chain, from the raw material to the final consumer. Thus, currently, it seems appropriate to analyze Made in Italy from the perspective of Design Culture since there is a qualitative change in the way Design is practiced, circulated, and perceived. In this prism, the fashion product is considered a hybrid product, in which material elements are valued due to the formatting of cultural, creative, and communicational references. The research approach adopted was systemic-constructivist and of a qualitative nature.
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