声谱分析:作为Etenraku结构和模式表演者的Ryúteki和Hichiriki技术

IF 0.2 2区 艺术学 0 ASIAN STUDIES
ASIAN MUSIC Pub Date : 2019-01-08 DOI:10.1353/AMU.2019.0004
Amy Simon
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引用次数: 0

摘要

摘要:本文探讨了作品《Etenraku》中gagaku风、ryúteki和hichiriki在hyō-jō;模式下的演奏技巧。我对整个二十世纪的Kunaichō录音进行了光谱分析,以证明这些不仅仅是装饰性的表演技术(音高弯曲/滑动、微音调音高改变、呼吸脉冲和音高手指敲击)与Etenraku的形式结构和模式之间的惊人关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sound Spectrum Analysis: Ryūteki and Hichiriki Techniques as Performers of Structure and Mode in Etenraku

Abstract:

This article explores the performance techniques of the gagaku winds, ryūteki and hichiriki, in the piece Etenraku in the hyō-jō mode. I use spectral analysis of Kunaichō recordings from throughout the twentieth century to demonstrate striking relationships between these more-than-ornamental performance techniques (pitch bending/sliding, microtonal pitch alteration, breath pulses, and pitched finger percussion) and both formal structure and mode in Etenraku.

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来源期刊
ASIAN MUSIC
ASIAN MUSIC Multiple-
自引率
33.30%
发文量
23
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