具有逐颗粒处理的实时颗粒合成体系结构:EmissionControl2

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Curtis Roads;Jack Kilgore;Rodney DuPlessis
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引用次数: 0

摘要

Abstract EmissionControl2(EC2)是一种精确的工具,为细粒度综合教育、研究、表演和工作室创作提供了一个通用且富有表现力的平台。它可以在所有主要操作系统上免费下载。在这篇文章中,我们描述了该软件的理论基础,并展示了在创建该仪器时所做的设计选择。我们简要介绍了EC2的历史概况,并介绍了它的主要特征,重点是每一个颗粒的处理,它将每个颗粒渲染为一个独特的声音颗粒。我们讨论了图形用户界面的设计选择、操作理论以及指导这些选择的预期用例。我们描述了实时每粒度粒度引擎的架构,该引擎以同步或异步流的形式发送粒度。最后,我们对软件进行了评估。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Architecture for Real-Time Granular Synthesis With Per-Grain Processing: EmissionControl2
Abstract EmissionControl2 (EC2) is a precision tool that provides a versatile and expressive platform for granular synthesis education, research, performance, and studio composition. It is available as a free download on all major operating systems. In this article, we describe the theoretical underpinnings of the software and expose the design choices made in creating this instrument. We present a brief historical overview and cover the main features of EC2, with an emphasis on per-grain processing, which renders each grain as a unique particle of sound. We discuss the graphical user interface design choices, the theory of operation, and intended use cases that guided these choices. We describe the architecture of the real-time per-grain granular engine, which emits grains in synchronous or asynchronous streams. We conclude with an evaluation of the software.
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来源期刊
Computer Music Journal
Computer Music Journal 工程技术-计算机:跨学科应用
CiteScore
1.80
自引率
0.00%
发文量
2
审稿时长
>12 weeks
期刊介绍: Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.
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