叶芝视野中的神学象征主义

IF 0.2 Q4 AREA STUDIES
A. Antonielli
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引用次数: 0

摘要

叶芝在《幻象导言》中将自己的作品定义为“对抗世界混乱的最后一招”。最后的一幕,他想通过丰富的象征基质,将自然之外的空间和他内心的空间统一起来。1887年,当他加入布拉瓦茨基夫人的神智学会时,他第一次认识并完全理解了这种统一。本文旨在考察神智学对叶芝文学作品的影响,即《幻境》,以及神智学的研究方法如何帮助他在自己的内化和物质与精神现实的表现中发现并采用形而上学的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Theosophical Symbolism in Yeats’s Vision
In his Introduction to A Vision, Yeats defined his work as “a last act of defense against the chaos of the world”. A last act though which he wanted to give unity, through a rich symbolic substrate, to the space outside of nature and the space within his own mind. A unity he first met and fully understood when he joined Madame Blavatsky’s Theosophical Society in 1887. This essay aims to examine the influence theosophy on Yeats’s literary works, namely on A Vision and how theosophical methodologies of investigation helped him to discover and adopt a metaphysical approach in his own internalisation and representation of material and spiritual realities.
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