“生命的悸动！”：语境中的“树叶在搅动”

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2022-12-01 DOI:10.1215/02705346-10013618

Ivan Cerecina

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引用次数: 0

摘要

本文描述了Nicole vedr的文章“the Leaves Are搅拌”的写作历史和知识背景。本书将vedrois关于电影现实主义和蒙太奇的主张与战后关键时刻法国电影理论的权威理论进行了对话，其中包括安德烈·巴赞、安德烈·马尔罗、罗杰·利恩哈特和亚历山大·阿斯特鲁奇的著作。它引出了vedrois的文本与这些更知名的电影美学研究之间的联系点，将该作品置于当代美学话语的背景下，并论证了其在战后法国电影写作景观中的独特性。从这一历史背景出发，它以更当代的档案电影制作以及对电影与历史之间关系的思考来暗示vedr文章的现代性而结束。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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“The very palpitation of life!”: “The Leaves Are Stirring” in Context

This paper describes the history of the writing and the intellectual context for Nicole Vedrès's essay “The Leaves Are Stirring.” It places Vedrès's claims about cinematic realism and montage in dialogue with canonical theorizations of film theory in France at this pivotal postwar moment, including the writing of André Bazin, André Malraux, Roger Leenhardt, and Alexandre Astruc. It draws out the points of contact between Vedrès's text and these better-known studies of film aesthetics, placing the piece in the context of contemporary aesthetic discourse and arguing for its singularity in the landscape of postwar French film writing. Opening out from this historical context, it closes by gesturing toward the modernity of Vedrès's essay in terms of more contemporary archival filmmaking, as well as thinking on the relationship between cinema and history.

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.