苏非舞蹈、恍惚和心理物理表演:杰日·格罗托夫斯基戏剧中的跨文化元素

IF 0.1 3区 艺术学 0 DANCE
Serap Erincin
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引用次数: 1

摘要

摘要西方戏剧从业者耶日·格罗托夫斯基(Jerzy Grotowski)将心理物理学方法结合起来,以帮助在表演中保持身体的即时性和在场的力量,他承认非西方精神实践的影响,如苏菲主义和梅夫列维舞。在这篇文章中,我认为托钵僧的旋转舞蹈对格罗托夫斯基产生了变革性的影响,并促进了他演员训练和排练的心理物理计划的发展。这种影响在对格罗托夫斯基的学术研究中被低估了,这表明西方戏剧传统可能对精神实践的融合感到焦虑,尤其是那些与伊斯兰教有关的实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sufi Dance, Trance, and Psychophysical Performance: Transcultural Elements in Jerzy Grotowski’s Theater
Abstract Jerzy Grotowski, a Western theatrical practitioner who incorporated psychophysical methods to help sustain the immediacy of the body and power of presence in performance, acknowledged the influence of non-Western embodied spiritual practices, such as Sufism and Mevlevi dance. In this article, I propose that the whirling dance of the dervish was a transformational influence on Grotowski and facilitated the development of his psychophysical program of actor training and rehearsing. This influence is under-acknowledged in scholarship on Grotowski, indicating possible anxiety in Western theatrical traditions about the incorporation of spiritual practices, especially those associated with Islam.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
22
期刊介绍: For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.
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