{"title":"标题未知:当雨云聚集:(重新)制作佳能","authors":"Reshma Chhiba","doi":"10.1080/10130950.2022.2186610","DOIUrl":null,"url":null,"abstract":"“The exhibition places intellectuality of Black women artists at its core, offering a rare encounter with history in which Black women’s work is the object, method, and theory of study. The framework is generative, and aims to acknowledge Black women artists as political agents, spiritual mediums, theorists and scholars, Black African feminists, explorers of rural and urban landscapes, conceptual thinkers, and makers”. (Press Statement, 2022)","PeriodicalId":44530,"journal":{"name":"AGENDA","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Title Unknown: When Rain Clouds Gather: (Re)making the Canon\",\"authors\":\"Reshma Chhiba\",\"doi\":\"10.1080/10130950.2022.2186610\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“The exhibition places intellectuality of Black women artists at its core, offering a rare encounter with history in which Black women’s work is the object, method, and theory of study. The framework is generative, and aims to acknowledge Black women artists as political agents, spiritual mediums, theorists and scholars, Black African feminists, explorers of rural and urban landscapes, conceptual thinkers, and makers”. (Press Statement, 2022)\",\"PeriodicalId\":44530,\"journal\":{\"name\":\"AGENDA\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AGENDA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10130950.2022.2186610\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AGENDA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10130950.2022.2186610","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Title Unknown: When Rain Clouds Gather: (Re)making the Canon
“The exhibition places intellectuality of Black women artists at its core, offering a rare encounter with history in which Black women’s work is the object, method, and theory of study. The framework is generative, and aims to acknowledge Black women artists as political agents, spiritual mediums, theorists and scholars, Black African feminists, explorers of rural and urban landscapes, conceptual thinkers, and makers”. (Press Statement, 2022)