{"title":"均化激进派，还是反Versa？改编罗杰·阿克罗伊德谋杀案","authors":"Alistair Rolls, R. Franks","doi":"10.5325/jasiapacipopcult.5.1.0050","DOIUrl":null,"url":null,"abstract":"abstract:This article explores the 2000 telemovie adaptation of Agatha Christie's classic crime novel The Murder of Roger Ackroyd (1926) to look at ideas of the need (or not) to be faithful to an original text. The authors unpack some of the issues that surround the often controversial notion of the \"canon\" in detective fiction and present the telemovie as an example of the text's critical difference.","PeriodicalId":40211,"journal":{"name":"Journal of Asia-Pacific Pop Culture","volume":"5 1","pages":"50 - 68"},"PeriodicalIF":0.2000,"publicationDate":"2020-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Homogenizing the Radical, or Vice Versa? Adapting (to) The Murder of Roger Ackroyd\",\"authors\":\"Alistair Rolls, R. Franks\",\"doi\":\"10.5325/jasiapacipopcult.5.1.0050\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article explores the 2000 telemovie adaptation of Agatha Christie's classic crime novel The Murder of Roger Ackroyd (1926) to look at ideas of the need (or not) to be faithful to an original text. The authors unpack some of the issues that surround the often controversial notion of the \\\"canon\\\" in detective fiction and present the telemovie as an example of the text's critical difference.\",\"PeriodicalId\":40211,\"journal\":{\"name\":\"Journal of Asia-Pacific Pop Culture\",\"volume\":\"5 1\",\"pages\":\"50 - 68\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Asia-Pacific Pop Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/jasiapacipopcult.5.1.0050\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Asia-Pacific Pop Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/jasiapacipopcult.5.1.0050","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Homogenizing the Radical, or Vice Versa? Adapting (to) The Murder of Roger Ackroyd
abstract:This article explores the 2000 telemovie adaptation of Agatha Christie's classic crime novel The Murder of Roger Ackroyd (1926) to look at ideas of the need (or not) to be faithful to an original text. The authors unpack some of the issues that surround the often controversial notion of the "canon" in detective fiction and present the telemovie as an example of the text's critical difference.
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