{"title":"更新声音艺术的历史:补充,澄清,更多的问题","authors":"B. Gál","doi":"10.1162/LMJ_A_01023","DOIUrl":null,"url":null,"abstract":"The author takes a close look at the origins of the terms sound art and sound installation, identifying additional historical sources and addressing misconceptions about their origins. The author then focuses on two early sound works by Max Neuhaus, a sound art pioneer who is frequently said to be the creator of the first sound installation.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/LMJ_A_01023","citationCount":"2","resultStr":"{\"title\":\"Updating the History of Sound Art: Additions, Clarifications, More Questions\",\"authors\":\"B. Gál\",\"doi\":\"10.1162/LMJ_A_01023\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The author takes a close look at the origins of the terms sound art and sound installation, identifying additional historical sources and addressing misconceptions about their origins. The author then focuses on two early sound works by Max Neuhaus, a sound art pioneer who is frequently said to be the creator of the first sound installation.\",\"PeriodicalId\":42662,\"journal\":{\"name\":\"LEONARDO MUSIC JOURNAL\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2017-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1162/LMJ_A_01023\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LEONARDO MUSIC JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/LMJ_A_01023\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LEONARDO MUSIC JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/LMJ_A_01023","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Updating the History of Sound Art: Additions, Clarifications, More Questions
The author takes a close look at the origins of the terms sound art and sound installation, identifying additional historical sources and addressing misconceptions about their origins. The author then focuses on two early sound works by Max Neuhaus, a sound art pioneer who is frequently said to be the creator of the first sound installation.
期刊介绍:
Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.