{"title":"“去学习”:塞雷尼哈加达的德系犹太人和意大利根源","authors":"Sivan Gottlieb","doi":"10.3828/aj.2018.14.5","DOIUrl":null,"url":null,"abstract":"Abstract:An illuminated Passover manuscript known as the Sereni Haggadah (held in the Umberto Nahon Museum of Italian Jewish Art in Jerusalem, Ms. no. 859 280/4) is a north Italian iteration of Ashkenazi haggadot. It was apparently written by an Ashkenazi scribe(s) who had immigrated to Italy and adopted certain features of Italian haggadot. The illuminations were done by several different artists. The manuscript has changed hands many times and has undergone a series of alterations.","PeriodicalId":41476,"journal":{"name":"Ars Judaica-The Bar Ilan Journal of Jewish Art","volume":"14 1","pages":"63 - 78"},"PeriodicalIF":0.1000,"publicationDate":"2019-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Go and Learn\\\": The Ashkenazi and Italian Roots of the Sereni Haggadah\",\"authors\":\"Sivan Gottlieb\",\"doi\":\"10.3828/aj.2018.14.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:An illuminated Passover manuscript known as the Sereni Haggadah (held in the Umberto Nahon Museum of Italian Jewish Art in Jerusalem, Ms. no. 859 280/4) is a north Italian iteration of Ashkenazi haggadot. It was apparently written by an Ashkenazi scribe(s) who had immigrated to Italy and adopted certain features of Italian haggadot. The illuminations were done by several different artists. The manuscript has changed hands many times and has undergone a series of alterations.\",\"PeriodicalId\":41476,\"journal\":{\"name\":\"Ars Judaica-The Bar Ilan Journal of Jewish Art\",\"volume\":\"14 1\",\"pages\":\"63 - 78\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-01-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Judaica-The Bar Ilan Journal of Jewish Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/aj.2018.14.5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Judaica-The Bar Ilan Journal of Jewish Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/aj.2018.14.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
"Go and Learn": The Ashkenazi and Italian Roots of the Sereni Haggadah
Abstract:An illuminated Passover manuscript known as the Sereni Haggadah (held in the Umberto Nahon Museum of Italian Jewish Art in Jerusalem, Ms. no. 859 280/4) is a north Italian iteration of Ashkenazi haggadot. It was apparently written by an Ashkenazi scribe(s) who had immigrated to Italy and adopted certain features of Italian haggadot. The illuminations were done by several different artists. The manuscript has changed hands many times and has undergone a series of alterations.
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