美国体裁小说体系的起源,1890-1956

IF 0.5 Q1 HISTORY
Book History Pub Date : 2023-03-01 DOI:10.1353/bh.2023.0006
Andrew Goldstone
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引用次数: 0

摘要

摘要:虽然类型小说现在无处不在,尽管书籍史和文学研究都对科幻小说和言情小说等个体类型给予了相当大的关注,但通俗小说类别系统的历史研究却很少。本文追溯了美国杂志和图书出版中体裁小说系统的起源,将社会学和书籍历史分析带入19世纪90年代至50年代出版、广告、图书馆和读者反应中不断变化的分类实践。在20世纪10年代,体裁分类只是断断续续地被使用;它们最初是在20世纪二三十年代的低俗杂志上制度化的。只有在20世纪40年代和50年代所谓的“平装书革命”过程中,体裁小说系统才被传播到图书出版领域,这一革命为按类别分类的小说制作提供了空间,同时将小说置于永久的低地位。这种跨出版形式的传播绝非有意为之;相反,这篇文章认为,体裁小说系统作为一种稳定的妥协出现并持续存在,它将不断扩大的小说阅读公众与不断扩大的印刷文化工业联系起来,使新读者和新小说——以及新类型的小说——在一个持久的分层领域中定期相互提供。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Origins of the US Genre-Fiction System, 1890–1956
Abstract:Though genre fiction is now ubiquitous, and though both book history and literary studies have devoted considerable attention to individual genres like science fiction and romance novels, the history of the system of popular fiction categories has been little studied. This essay traces the origins of the genre-fiction system in United States magazine and book publishing, bringing sociological and book-historical analysis to bear on changing practices of categorization in publishing, advertising, librarianship, and reader response from the 1890s through the 1950s. Genre categories were only intermittently in use through the 1910s; they were first institutionalized in pulp magazines in the 1920s and 1930s. The genre-fiction system was transmitted to book publishing only in the course of the so-called "paperback revolution" of the 1940s and 1950s, which made room for fiction-book production by categories while relegating it to a permanently low-status position. This transmission across publishing formats was far from deliberate; instead, the essay argues, the system of genre fiction arose and endured as a stable compromise articulating an expanded fiction-reading public to an expansive print culture industry, making new readers and new fiction---and new kinds of fiction---regularly available to each other in an enduringly hierarchized field.
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Book History
Book History HISTORY-
CiteScore
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