{"title":"雷丁的残留物","authors":"Peter Schwenger","doi":"10.1353/sub.2022.0013","DOIUrl":null,"url":null,"abstract":"Abstract:Though we forget most of the fiction that we read, something remains. This essay asks what forms that \"something\" might take in readers' memories, a question that recurs in the work of the Australian writer Gerald Murnane. When a novel's plot lines and visualized incidents have faded away, there may still linger an atmosphere peculiar to it, which is evoked by its title.","PeriodicalId":45831,"journal":{"name":"SUB-STANCE","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reading's Residue\",\"authors\":\"Peter Schwenger\",\"doi\":\"10.1353/sub.2022.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Though we forget most of the fiction that we read, something remains. This essay asks what forms that \\\"something\\\" might take in readers' memories, a question that recurs in the work of the Australian writer Gerald Murnane. When a novel's plot lines and visualized incidents have faded away, there may still linger an atmosphere peculiar to it, which is evoked by its title.\",\"PeriodicalId\":45831,\"journal\":{\"name\":\"SUB-STANCE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-08-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SUB-STANCE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sub.2022.0013\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SUB-STANCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sub.2022.0013","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Abstract:Though we forget most of the fiction that we read, something remains. This essay asks what forms that "something" might take in readers' memories, a question that recurs in the work of the Australian writer Gerald Murnane. When a novel's plot lines and visualized incidents have faded away, there may still linger an atmosphere peculiar to it, which is evoked by its title.
期刊介绍:
SubStance has a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SubStance who enjoy crossing borders and challenging limits.