思想的图像:树叶、金钱和段落。Per una ricerca del principio formativo dell’immaginario=思想的图像:树叶、生活和拱廊。关于想象生成原理的研究

IF 0.2 Q4 COMMUNICATION
A. Tramontana
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引用次数: 0

摘要

思想意象:树叶、生活和拱廊。研究想象的生成原理。我们想象的主要方面是我们日常生活中现象的多样性和数量。这种零碎的场景使得很难将每一个元素都视为一个独特想象的一部分。然而,我们可以考虑到一些经典的作品,以考虑不同现象表现出的一种独特的生成原理。本文的目的是考察歌德、西美尔和本雅明的作品,认为他们有共同的能力将众多的人聚集在一个单一的思想形象中。事实上,尽管他们从不同的研究领域出发,但他们将经验世界视为一种独特生成原则的表达。因此,对于歌德来说,叶子是“原始形态”的植物世界。而在西美尔的作品中,生活是现代日常生活的“中心思想”。最后,对本雅明来说,巴黎的拱廊是现代资本主义的起源。因此,树叶、生命和拱廊都是有意义的例子,可以将我们的注意力集中在发现我们想象的合成图像的机会上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Immagini di pensiero: la foglia, il denaro e i passages. Per una ricerca del principio formativo dell’immaginario = Images of Thought: the Leaf, the Life and the Arcades. For a Research of the Generative Principle of Imaginary
Images of Thought: the Leaf, the Life and the Arcades. For a Research of the Generative Principle of Imaginary. The main aspect of our imaginary is the variety and the quantity of phenomenon that characterizes our everyday life. This fragmentary scenario makes it tough to consider every element as a part of a unique imaginary. However, we can take into account some classic works in order to consider different phenomenon manifestations of a unique generative principle. The aim of this paper is to examine the works of Goethe, Simmel, and Benjamin, considering that they have in common the capacity to assemble multitude in a single image of thought. In fact, although they start from different field of research, they examine the empirical world as an expression of a unique generative principle. Therefore, for Goethe leaf is the “original form” of the botanical world. While, in Simmel’s work life is the “central idea” of the modern daily life. Finally, Parisian Arcades are for Benjamin the origin of the modern capitalism. Thus, the leaf, the life, and the Arcades, are meaningful examples to focus our attention on the opportunity to discover a synthetic image of our imaginary.
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