{"title":"制造亲密关系——19世纪绘画中沉睡女性的形象","authors":"Rosanna Tindbæk","doi":"10.1080/14787318.2021.1926876","DOIUrl":null,"url":null,"abstract":"ABSTRACT\n In the nineteenth century, paintings of sleeping females proliferated, yet unlike painters of mythological sleep scenes of previous centuries, painters such as Courbet, Bonnard and Vuillard set an intimate scene, leaving the (usually female) sleeper alone with the viewer in interiors, wrapping her up in layers of sheets or heavy dresses. This article reveals how several painters (from about 1850–1910) used the sleeping figure to examine a visual impossibility: the representation of interiority.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1926876","citationCount":"0","resultStr":"{\"title\":\"Fabricating Intimacy – Images of Sleeping Women in Nineteenth-Century Painting\",\"authors\":\"Rosanna Tindbæk\",\"doi\":\"10.1080/14787318.2021.1926876\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT\\n In the nineteenth century, paintings of sleeping females proliferated, yet unlike painters of mythological sleep scenes of previous centuries, painters such as Courbet, Bonnard and Vuillard set an intimate scene, leaving the (usually female) sleeper alone with the viewer in interiors, wrapping her up in layers of sheets or heavy dresses. This article reveals how several painters (from about 1850–1910) used the sleeping figure to examine a visual impossibility: the representation of interiority.\",\"PeriodicalId\":53818,\"journal\":{\"name\":\"Dix-Neuf\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14787318.2021.1926876\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dix-Neuf\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14787318.2021.1926876\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dix-Neuf","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14787318.2021.1926876","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Fabricating Intimacy – Images of Sleeping Women in Nineteenth-Century Painting
ABSTRACT
In the nineteenth century, paintings of sleeping females proliferated, yet unlike painters of mythological sleep scenes of previous centuries, painters such as Courbet, Bonnard and Vuillard set an intimate scene, leaving the (usually female) sleeper alone with the viewer in interiors, wrapping her up in layers of sheets or heavy dresses. This article reveals how several painters (from about 1850–1910) used the sleeping figure to examine a visual impossibility: the representation of interiority.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
