Bernardin de Saint-Pierre的“Entretiens”(1773):重写Fontenelle

IF 0.2 3区 历史学 Q2 HISTORY
Robin Howells
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引用次数: 1

摘要

本研究从结构主义和历时性两方面比较了标志着启蒙运动开始和结束的两组虚构对话。这些是丰特奈尔(1686- 1687)的“复数世界的旅行”,以及远不为人所知的圣皮埃尔(1773年他的“法国航行”中的一段)的“树木,花朵和水果的旅行”。伯纳丁的对话对其前辈的贡献已经被笼统地断言,但在这里,这种关系被系统地考察了。文章的第一部分从体裁、目标读者群、内部结构、说话人(男女)、话题和主题等方面对两部作品进行了比较。第二部分列出了一系列文本层面上的相似之处,毫无疑问地证实了丰特奈尔的作品对伯纳丹的影响。但1773年的对话录也可以被看作是对1686- 1687年对话录的重写。Fontenelle的enttiens主张一个像机器一样工作的“科学”宇宙,以及同样现代主义的精英社交乐趣。伯纳丹的《恳求者》,预示着他的Études de la nature(1784),否定了机械,赞成一个充满精神的有机自然世界,为浪漫主义和法国大革命埋下了伏笔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bernardin de Saint-Pierre’s ‘Entretiens’ (1773): Rewriting Fontenelle
This study, both structuralist and diachronic, compares two sets of fictional dialogues which mark the beginning and the end of the Enlightenment. These are the Entretiens sur la pluralité des mondes of Fontenelle (1686-7), and – far less well-known – the ‘Entretiens sur les arbres, les fleurs et les fruits’ of Bernardin de Saint-Pierre (a segment within his Voyage à l’île de France, 1773). The debt of Bernardin’s dialogues to their predecessor has been asserted in general terms, but here the relationship is examined systematically. The first part of the article offers a comparison between the two works in terms of genre, target readership, internal structure, speakers (male and female), topic and theme. The second part sets out a series of close similarities on the textual level, confirming beyond doubt the influence of Fontenelle’s work on Bernardin. But the dialogues of 1773 can also be perceived as re-writing those of 1686-7. Fontenelle’s Entretiens declare for a ‘scientific’ universe that works like a machine, and for elite sociable pleasures which are equally Modernist. Bernardin’s ‘Entretiens’, anticipating his Études de la nature (1784), repudiate the mechanical in favour of an organic world of nature infused with spirit, foreshadowing Romanticism and also the French Revolution.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Early Modern French Studies (formerly Seventeenth-Century French Studies) publishes high-quality, peer-reviewed, original articles in English and French on a broad range of literary, cultural, methodological, and theoretical topics relating to the study of early modern France. The journal has expanded its historical scope and now covers work on the sixteenth, seventeenth, and eighteenth centuries. Within this period of French literary and cultural history, the journal particularly welcomes work that relates to the term ''early modern'', as well as work that interrogates it. It continues to publish special issues devoted to particular topics (such as the highly successful 2014 special issue on the cultural history of fans) as well as individual submissions.
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