神与人:玛丽·雪莱的《弗兰肯斯坦》和雷德利·斯科特的《普罗米修斯》中的怪物

IF 0.1 0 LANGUAGE & LINGUISTICS
Seda Pekşen
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引用次数: 0

摘要

这篇文章将玛丽·雪莱的《弗兰肯斯坦》与2012年雷德利·斯科特的电影《普罗米修斯》进行了比较,重点关注创作者和被创造者之间冲突的破坏性后果,每个人都认为对方是可怕的。这部小说和这部电影都是关于寻找关于一个人存在本质的基本问题的答案,这些问题的动机是人类的好奇心和对永生的渴望,从而导致与创作者的冲突。这里的主要关注点是揭露据称将怪物与创造者分开的界限的模糊性,阐明创造者自己的怪物是傲慢的产物,最终导致了对上帝/人、人/怪物、善/恶等之间界限的超越。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Of gods and men: Monsters in Mary Shelley’s Frankenstein and Ridley Scott’s Prometheus
This article is a comparison between Mary Shelley’s Frankenstein and the 2012 Ridley Scott movie Prometheus focusing on the destructive consequences of the conflict between the creators and the created each deeming the other as monstrous. Both the novel and the movie are about finding answers to fundamental questions as to one’s nature of existence motivated by a human curiosity and desire for immortality leading to a conflict with one’s creator. The main concern here is to lay bare the blurriness of the lines allegedly separating the monsters from their creators, elucidating the monstrosity of the creators themselves as a product of hubris which eventually leads to a transgression of the boundaries between God/man, man/monster, good/evil and so forth.
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来源期刊
Philologica Canariensia
Philologica Canariensia LANGUAGE & LINGUISTICS-
CiteScore
0.40
自引率
0.00%
发文量
18
审稿时长
25 weeks
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