História, sertão e devir-sensível em Cinema aspirinas e urubus

We intend to observe how the film Cinema aspirinas e urubus (2005), by director Marcelo Gomes, works as a device for thinking about history and the sertao as a multiplicity in progress, something that goes beyond a “representation” and a “real” referent, forming a complex and chaotic tangle that branches into different discourses. Thus, when analyzing the film, we do not want to cement an answer, a certainty or a definitive truth, but rather to establish intertextualities, to suggest new questions and put a thought in motion, making it seductive, provocative and debatable among historians, in order to enhance their knowledge and seek more critical and creative paths in relation to the current impasses of historiographical production.