{"title":"科勒卡·普图玛和辛迪斯瓦·布苏库·马瑟诗歌中的知识与解放","authors":"A. Pieterse","doi":"10.1080/18125441.2018.1505937","DOIUrl":null,"url":null,"abstract":"Abstract This paper provides a reading, through a decolonial lens, of the debut work of two recently published South African poets, Sindiswa Busuku-Mathese and Koleka Putuma. In the work of both poets, the reader encounters contemporary South African black womxn subjects, constructed in the matrix of global coloniality. The works articulate issues of identity and belonging, with which many young South Africans are undoubtedly grappling. Both poets identify, interrogate, and resist what might be termed the realms of coloniality—namely coloniality of power, coloniality of knowledge, and coloniality of being—in a process of “unlearning”. A close reading of the themes and aesthetics of these two poets suggests that the site of enunciation for the speaking subjects that emerge is located at the fault lines between two or more very divergent knowledge frameworks.","PeriodicalId":41487,"journal":{"name":"Scrutiny2-Issues in English Studies in Southern Africa","volume":"23 1","pages":"35 - 46"},"PeriodicalIF":0.1000,"publicationDate":"2018-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/18125441.2018.1505937","citationCount":"1","resultStr":"{\"title\":\"Knowledge and Unlearning in the Poetry of Koleka Putuma and Sindiswa Busuku-Mathese\",\"authors\":\"A. Pieterse\",\"doi\":\"10.1080/18125441.2018.1505937\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This paper provides a reading, through a decolonial lens, of the debut work of two recently published South African poets, Sindiswa Busuku-Mathese and Koleka Putuma. In the work of both poets, the reader encounters contemporary South African black womxn subjects, constructed in the matrix of global coloniality. The works articulate issues of identity and belonging, with which many young South Africans are undoubtedly grappling. Both poets identify, interrogate, and resist what might be termed the realms of coloniality—namely coloniality of power, coloniality of knowledge, and coloniality of being—in a process of “unlearning”. A close reading of the themes and aesthetics of these two poets suggests that the site of enunciation for the speaking subjects that emerge is located at the fault lines between two or more very divergent knowledge frameworks.\",\"PeriodicalId\":41487,\"journal\":{\"name\":\"Scrutiny2-Issues in English Studies in Southern Africa\",\"volume\":\"23 1\",\"pages\":\"35 - 46\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/18125441.2018.1505937\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scrutiny2-Issues in English Studies in Southern Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/18125441.2018.1505937\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scrutiny2-Issues in English Studies in Southern Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/18125441.2018.1505937","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Knowledge and Unlearning in the Poetry of Koleka Putuma and Sindiswa Busuku-Mathese
Abstract This paper provides a reading, through a decolonial lens, of the debut work of two recently published South African poets, Sindiswa Busuku-Mathese and Koleka Putuma. In the work of both poets, the reader encounters contemporary South African black womxn subjects, constructed in the matrix of global coloniality. The works articulate issues of identity and belonging, with which many young South Africans are undoubtedly grappling. Both poets identify, interrogate, and resist what might be termed the realms of coloniality—namely coloniality of power, coloniality of knowledge, and coloniality of being—in a process of “unlearning”. A close reading of the themes and aesthetics of these two poets suggests that the site of enunciation for the speaking subjects that emerge is located at the fault lines between two or more very divergent knowledge frameworks.
期刊介绍:
scrutiny2 is a double blind peer-reviewed journal that publishes original manuscripts on theoretical and practical concerns in English literary studies in southern Africa, particularly tertiary education. Uniquely southern African approaches to southern African concerns are sought, although manuscripts of a more general nature will be considered. The journal is aimed at an audience of specialists in English literary studies. While the dominant form of manuscripts published will be the scholarly article, the journal will also publish poetry, as well as other forms of writing such as the essay, review essay, conference report and polemical position piece. This journal is accredited with the South African Department of Higher Education and Training.