设计…迷失

IF 0.8 4区 艺术学 0 ART
Stuart Walker
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引用次数: 1

摘要

今天的设计学校和设计研究者在哪里?根据我的经验,大多数设计教学都是在给机器喂食——坚持过时的现代主义剧本,培养学生的工业技能,而不是让他们为一个不那么物质性的未来做周到的贡献。除了一些明显的例外,只有相对较少的学校将可持续设计作为课程的核心;如果把可持续性纳入其中,那也不过是事后的想法,被拴在维持现状的一套已有课程的一边。设计研究在哪里?我想到了“重新摆放甲板上的椅子”这个短语。在《设计杂志》(the Design Journal)和类似学术出版物的编委会工作多年后,我对国际上正在进行的各种设计研究有了合理的了解。在我看来,其中太多的内容毫无启发性,而且对我们今天面临的最紧迫问题无知至极。也许是因为设计研究仍然相对年轻,它还没有表现出采用自己的学科适当方法的信心。相反,它经常落入模仿科学或半科学方法的陷阱,即提出问题或假设,提出目标,收集和分析数据,得出结论,然后可能导致其他研究人员和专业人员几乎肯定会忽略的建议,指导方针,一套工具或其他一些所谓的实际贡献。事实上,我自己也在从事这类工作,因为事实是,研究人员往往别无选择,因为这正是资助委员会的期望,而这些标准是由科学和工程发展而来的。这类东西不断被制造出来,充斥着大量的在线和印刷期刊,这些期刊近年来激增,以满足大学不断增长的需求。这一切都是为了什么?它当然不能应对我们这个时代的主要挑战,也不能建设性地推进设计实践。它没有切中要害
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Design is … Lost
Where are today’s design schools and design researchers? In my experience, most design teaching is feeding the machine – sticking to the outdated playbook of modernism, training students in skills for industry now rather than preparing them to contribute thoughtfully to a less materialistic future. With some notable exceptions, there are relatively few schools where sustainable design is core to the curriculum; if included at all, sustainability is merely an afterthought, bolted onto the side of a pre-existing set of courses that serve to maintain the status quo. And where is design research? The phrase ‘rearranging the deck chairs’ comes to mind. Having served for many years on the editorial boards of The Design Journal and similar academic publications, I have a reasonable grasp of the kinds of design research being done internationally. In my view, too much of it is uninspiring and woefully ignorant of the most pressing issues facing us today. Perhaps because design research is still relatively young, it has yet to demonstrate confidence in adopting its own discipline-appropriate methods. Instead, it frequently falls into the trap of mimicking scientific or semi-scientific methods whereby a question or hypothesis is posed, objectives set forth, data gathered and analysed, and conclusions drawn, which may then lead to recommendations, guidelines, a set of tools or some other supposedly practical contribution that other researchers and the profession are virtually guaranteed to ignore. Indeed, I have engaged in this kind of work myself, for the truth is that researchers often have little choice because these are precisely the expectations of the funding councils, the criteria for which were developed out of the sciences and engineering. This kind of stuff is churned out incessantly, filling reams of online and in-print journals, which have proliferated in recent times to fill the growing demands of universities. What is all this for? It is certainly not rising to the major challenge of our time, nor is it constructively advancing design practice. It is missing the mark
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来源期刊
CiteScore
2.00
自引率
20.00%
发文量
68
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