与星条旗共舞:波普的观赏性舞蹈。我的饰品

IF 0.1 3区艺术学 0 DANCE

DANCE CHRONICLE Pub Date : 2022-05-04 DOI:10.1080/01472526.2022.2064697

J. Dellecave

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引用次数: 0

摘要

抽象的教皇。L的艺术展览《小饰品》(2015)展出了一个由大功率风力机吹动的超大美国国旗装置。这件艺术品在观众中引发了一种编舞，他们无意中与美国国旗共舞，扭转了围绕黑人艺术家作品的能见度和观赏性的令人担忧的动态。韦小宝呼吁观众将感觉转化为感觉，而不是采用一种距离感、无实体的解释模式。从体现种族正义的活动家Resmaa Menakem得知，我认为教皇。《小饰品》将观众与身体体验联系起来，使他们能够与美国正在进行的结构性种族主义作斗争。

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Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket

abstract Pope.L’s art exhibition Trinket (2015) featured an installation of an oversized US flag blown by high-powered wind machines. The artwork generated a choreography among viewers who inadvertently danced with the US flag, reversing fraught dynamics surrounding visibility and spectatorship for work by Black artists. Trinket called upon spectators to feel into sensation, rather than adopt a mode of distanced, disembodied interpretation. Informed by embodied racial justice activist Resmaa Menakem, I argue that Pope.L’s Trinket connected viewers with somatic experience, enabling them to grapple with ongoing structural racism in the United States.

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来源期刊

DANCE CHRONICLE DANCE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.