Beat Machine：拥抱低成本计算机的创新局限和机遇

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2020-09-03 DOI:10.1162/lmj_a_01087

Andrew R. Brown, J. Ferguson

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引用次数: 2

摘要

摘要The Beat Machine是一款手持式音乐合成器和音序器。作者讨论了Beat Machine的发展，以及低成本微处理器和相关电子产品的特殊性如何引入创造性的限制和机会。该讨论是Kåre Poulsgaard的个性化概念的一个例子，这是一个将材料参与与数字设计和制造联系起来的框架。在反思Beat Machine的设计和制作时，作者将这一框架与更成熟的创造性互动和数字媒体的可供性概念联系起来。

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Beat Machine: Embracing the Creative Limitations and Opportunities of Low-Cost Computers

Abstract The Beat Machine is a handheld music synthesizer and sequencer. The authors discuss the development of the Beat Machine and how creative constraints and opportunities were introduced by the particularities of low-cost microprocessors and associated electronics. The discussion is framed as an exemplar of Kåre Poulsgaard's concept of enactive individuation, a framework for relating material engagement to digital design and fabrication. In reflecting on the design and making of the Beat Machine the authors connect this framework with more established notions of creative interaction and the affordances of digital media.

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

自引率

0.00%

发文量

期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.