音乐世界和事件网络:一个博览会

IF 1.4 1区 社会学 Q2 SOCIOLOGY
N. Crossley
{"title":"音乐世界和事件网络:一个博览会","authors":"N. Crossley","doi":"10.1177/17499755231180182","DOIUrl":null,"url":null,"abstract":"Musical activity in contemporary societies clusters in distinct ‘music worlds’, centred on such factors as style and/or locality. A number of studies have analysed these music worlds as networks of participants, linked in a variety of ways. This is useful but only captures some aspects of music worlds, neglecting others. In this article I introduce the concept of ‘event networks’ as a complement which allows us to capture much that ‘participant networks’ exclude. An event network is a sequence of events, such as gigs, certain pairs of which are linked by a flow of both participants (e.g. artists, audience members and support personnel) and the various resources and (evolving) conventions those participants carry with them. It forms an important part of the social structure of a music world and we can analyse it, empirically, using social network analysis (SNA). In the first part of the article I elaborate theoretically upon the concept of event networks and its significance in relation to music worlds. In the second part I develop this via an illustrative analysis of an empirical event network. The purpose of this analysis is to stimulate further discussion of event networks, of the interpretation of their properties and of possibilities for future analyses.","PeriodicalId":46722,"journal":{"name":"Cultural Sociology","volume":" ","pages":""},"PeriodicalIF":1.4000,"publicationDate":"2023-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Music Worlds and Event Networks: An Exposition\",\"authors\":\"N. Crossley\",\"doi\":\"10.1177/17499755231180182\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Musical activity in contemporary societies clusters in distinct ‘music worlds’, centred on such factors as style and/or locality. A number of studies have analysed these music worlds as networks of participants, linked in a variety of ways. This is useful but only captures some aspects of music worlds, neglecting others. In this article I introduce the concept of ‘event networks’ as a complement which allows us to capture much that ‘participant networks’ exclude. An event network is a sequence of events, such as gigs, certain pairs of which are linked by a flow of both participants (e.g. artists, audience members and support personnel) and the various resources and (evolving) conventions those participants carry with them. It forms an important part of the social structure of a music world and we can analyse it, empirically, using social network analysis (SNA). In the first part of the article I elaborate theoretically upon the concept of event networks and its significance in relation to music worlds. In the second part I develop this via an illustrative analysis of an empirical event network. The purpose of this analysis is to stimulate further discussion of event networks, of the interpretation of their properties and of possibilities for future analyses.\",\"PeriodicalId\":46722,\"journal\":{\"name\":\"Cultural Sociology\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":1.4000,\"publicationDate\":\"2023-07-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Sociology\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/17499755231180182\",\"RegionNum\":1,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"SOCIOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Sociology","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/17499755231180182","RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIOLOGY","Score":null,"Total":0}
引用次数: 0

摘要

当代社会的音乐活动聚集在不同的“音乐世界”中,以风格和/或地方等因素为中心。许多研究分析了这些音乐世界作为参与者的网络,以各种方式联系在一起。这是有用的,但只捕获了音乐世界的某些方面,而忽略了其他方面。在本文中,我将引入“事件网络”的概念作为补充,使我们能够捕获“参与者网络”所排除的许多内容。事件网络是一系列事件,例如演出,其中某些事件由参与者(例如艺术家,观众成员和支持人员)以及参与者携带的各种资源和(不断发展的)惯例的流动联系在一起。它构成了音乐世界社会结构的重要组成部分,我们可以使用社会网络分析(SNA)对其进行实证分析。文章的第一部分从理论上阐述了事件网络的概念及其在音乐世界中的意义。在第二部分中,我通过实证事件网络的说明性分析来发展这一理论。本分析的目的是激发对事件网络的进一步讨论,对其性质的解释以及未来分析的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music Worlds and Event Networks: An Exposition
Musical activity in contemporary societies clusters in distinct ‘music worlds’, centred on such factors as style and/or locality. A number of studies have analysed these music worlds as networks of participants, linked in a variety of ways. This is useful but only captures some aspects of music worlds, neglecting others. In this article I introduce the concept of ‘event networks’ as a complement which allows us to capture much that ‘participant networks’ exclude. An event network is a sequence of events, such as gigs, certain pairs of which are linked by a flow of both participants (e.g. artists, audience members and support personnel) and the various resources and (evolving) conventions those participants carry with them. It forms an important part of the social structure of a music world and we can analyse it, empirically, using social network analysis (SNA). In the first part of the article I elaborate theoretically upon the concept of event networks and its significance in relation to music worlds. In the second part I develop this via an illustrative analysis of an empirical event network. The purpose of this analysis is to stimulate further discussion of event networks, of the interpretation of their properties and of possibilities for future analyses.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Cultural Sociology
Cultural Sociology SOCIOLOGY-
CiteScore
3.30
自引率
10.50%
发文量
36
期刊介绍: Cultural Sociology publishes empirically oriented, theoretically sophisticated, methodologically rigorous papers, which explore from a broad set of sociological perspectives a diverse range of socio-cultural forces, phenomena, institutions and contexts. The objective of Cultural Sociology is to publish original articles which advance the field of cultural sociology and the sociology of culture. The journal seeks to consolidate, develop and promote the arena of sociological understandings of culture, and is intended to be pivotal in defining both what this arena is like currently and what it could become in the future. Cultural Sociology will publish innovative, sociologically-informed work concerned with cultural processes and artefacts, broadly defined.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信