{"title":"远方送关怀","authors":"Jessica Watkin","doi":"10.1215/01610775-9662208","DOIUrl":null,"url":null,"abstract":"Jessica Watkin works out her definition of Disability Dramaturgy and explains her artistic practice, which is rooted in personal care rather than professional extraction. As a Blind/Disabled artist, Watkin describes her relationship to Blind artist Alex Bulmer. Watkin reflects on the role of care in Bulmer’s Pandemic Postcards project, a series of twenty-one video “postcards” by Disabled artists around the world, hosted by the Harbourfront Centre in Toronto, Ontario. Watkin discusses the originating gesture of the project, a series of posts on Bulmer’s Facebook page titled Postcards from my Balcony, begun in March 2020 when the COVID-19 pandemic arrived in Toronto. As emanations of a care-based writing practice, these entirely textual “postcards” include image descriptions, written messages, and voice memos.","PeriodicalId":42152,"journal":{"name":"THEATER","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sending Care from Afar\",\"authors\":\"Jessica Watkin\",\"doi\":\"10.1215/01610775-9662208\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Jessica Watkin works out her definition of Disability Dramaturgy and explains her artistic practice, which is rooted in personal care rather than professional extraction. As a Blind/Disabled artist, Watkin describes her relationship to Blind artist Alex Bulmer. Watkin reflects on the role of care in Bulmer’s Pandemic Postcards project, a series of twenty-one video “postcards” by Disabled artists around the world, hosted by the Harbourfront Centre in Toronto, Ontario. Watkin discusses the originating gesture of the project, a series of posts on Bulmer’s Facebook page titled Postcards from my Balcony, begun in March 2020 when the COVID-19 pandemic arrived in Toronto. As emanations of a care-based writing practice, these entirely textual “postcards” include image descriptions, written messages, and voice memos.\",\"PeriodicalId\":42152,\"journal\":{\"name\":\"THEATER\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"THEATER\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/01610775-9662208\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"THEATER","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/01610775-9662208","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Jessica Watkin works out her definition of Disability Dramaturgy and explains her artistic practice, which is rooted in personal care rather than professional extraction. As a Blind/Disabled artist, Watkin describes her relationship to Blind artist Alex Bulmer. Watkin reflects on the role of care in Bulmer’s Pandemic Postcards project, a series of twenty-one video “postcards” by Disabled artists around the world, hosted by the Harbourfront Centre in Toronto, Ontario. Watkin discusses the originating gesture of the project, a series of posts on Bulmer’s Facebook page titled Postcards from my Balcony, begun in March 2020 when the COVID-19 pandemic arrived in Toronto. As emanations of a care-based writing practice, these entirely textual “postcards” include image descriptions, written messages, and voice memos.
期刊介绍:
Individual subscribers and institutions with electronic access can view issues of Theater online. If you have not signed up, review the first-time access instructions. Published on behalf of the Yale School of Drama/Yale Repertory Theatre For more than thirty years Theater has been the most informative, serious, and imaginative American journal available to readers interested in contemporary theater.