Mepantigan表演艺术:巴厘传统摔跤的代表

Wayan Gede Lamopia, Riza Wulandari
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引用次数: 2

摘要

Mepantigan表演艺术是一种通过展示摔跤表演而导致艺术的文化元素的表现。本研究的目的是了解以罗兰·巴特的摔跤文化为代表的拳击传统。使用的研究方法是一个案例研究,采用数据收集技术,包括观察,访谈和视觉文件。本研究结果表明,在mepantigan中,1930年形成于上一个社会并代代相传的神话,被称为传统,具有维持区域旅游业的潜力,特别是在巴厘的Batubulan, Gianyar, Bali。巴特的摔跤文化概念始于强调个人、团体或社区形成的身份的神话。文化角力是用表演艺术来诠释的,通过展示舞蹈艺术,在巴特看来,戏剧具有一定的作用,这可以与mepantigan Bali表演艺术联系起来。因此,梅潘提根的传统可以作为巴特摔跤文化的一种表现形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MEPANTIGAN PERFORMING ARTS: A REPRESENTATION OF BALINESE TRADITIONAL WRESTLING
Mepantigan performing arts is a representation of cultural elements that lead to art by displaying wrestling performances. The purpose of this research is to know the tradition of mepantigan represented by Roland Barthes's wrestling culture. The research method used is a case study by taking data collection techniques consisting of observation, interview and visual documentation. The results of this study indicate that In mepantigan , the myth which is formed from the previous society in 1930 and maintained steadily generation to generation, which is called as a tradition, has the potential to maintain regional tourism, especially in Batubulan, Gianyar, Bali. Barthes's concept of wrestling culture begins with the myth used in highlighting the identity formed by individuals, groups, or communities. Cultural wrestling is interpreted with the art of performances by displaying dance arts, theater that has a certain role according to Barthes which can be associated with the mepantigan Bali performance art. Therefore, the tradition of mepantigan can be used as a form of representation of Barthes’ wrestling culture.
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