{"title":"两种分离:路德维希·冯·米塞斯与德国新自由主义","authors":"Joshua Rahtz","doi":"10.1353/jhi.2022.0014","DOIUrl":null,"url":null,"abstract":"Abstract:Ludwig von Mises and the main figures of German ordoliberalism represent the two extreme points on the spectrum of neoliberal thinking in the twentieth century. This paper provides a comparative analysis of Mises and the Germans. Among other things, it shows how Mises and the ordoliberals held contradictory positions regarding central bank responses to the crisis of the late 1920s, the definition of the categories of the political and the economic, and above all how the latter was to be separated from the former in practice.","PeriodicalId":47274,"journal":{"name":"JOURNAL OF THE HISTORY OF IDEAS","volume":"83 1","pages":"293 - 313"},"PeriodicalIF":0.6000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Two Types of Separation: Ludwig von Mises and German Neoliberalism\",\"authors\":\"Joshua Rahtz\",\"doi\":\"10.1353/jhi.2022.0014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Ludwig von Mises and the main figures of German ordoliberalism represent the two extreme points on the spectrum of neoliberal thinking in the twentieth century. This paper provides a comparative analysis of Mises and the Germans. Among other things, it shows how Mises and the ordoliberals held contradictory positions regarding central bank responses to the crisis of the late 1920s, the definition of the categories of the political and the economic, and above all how the latter was to be separated from the former in practice.\",\"PeriodicalId\":47274,\"journal\":{\"name\":\"JOURNAL OF THE HISTORY OF IDEAS\",\"volume\":\"83 1\",\"pages\":\"293 - 313\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF THE HISTORY OF IDEAS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/jhi.2022.0014\",\"RegionNum\":2,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF THE HISTORY OF IDEAS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jhi.2022.0014","RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
Two Types of Separation: Ludwig von Mises and German Neoliberalism
Abstract:Ludwig von Mises and the main figures of German ordoliberalism represent the two extreme points on the spectrum of neoliberal thinking in the twentieth century. This paper provides a comparative analysis of Mises and the Germans. Among other things, it shows how Mises and the ordoliberals held contradictory positions regarding central bank responses to the crisis of the late 1920s, the definition of the categories of the political and the economic, and above all how the latter was to be separated from the former in practice.
期刊介绍:
Since its inception in 1940, the Journal of the History of Ideas has served as a medium for the publication of research in intellectual history that is of common interest to scholars and students in a wide range of fields. It is committed to encouraging diversity in regional coverage, chronological range, and methodological approaches. JHI defines intellectual history expansively and ecumenically, including the histories of philosophy, of literature and the arts, of the natural and social sciences, of religion, and of political thought. It also encourages scholarship at the intersections of cultural and intellectual history — for example, the history of the book and of visual culture.