{"title":"Para和Protima:一对一1","authors":"Anubha Yadav","doi":"10.1386/SAFM_00031_1","DOIUrl":null,"url":null,"abstract":"This short speculative text explores the relationship between the corporeality of a screenwriter and the materiality of a physical space, including its imaginary losses and effects on women’s creative collaborations. In this text, I draw from the information that Begum Para and\n Protima Dasgupta were spending a lot of time together in Bombay, living under the same roof, when their creative partnership blossomed and gave the industry a production house, a director-producer, a screen star and more than a few films. Although this text takes the form of creative writing,\n it is based on historical and archival research.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"11 1","pages":"245-250"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Para and Protima: A tête-à-tête1\",\"authors\":\"Anubha Yadav\",\"doi\":\"10.1386/SAFM_00031_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This short speculative text explores the relationship between the corporeality of a screenwriter and the materiality of a physical space, including its imaginary losses and effects on women’s creative collaborations. In this text, I draw from the information that Begum Para and\\n Protima Dasgupta were spending a lot of time together in Bombay, living under the same roof, when their creative partnership blossomed and gave the industry a production house, a director-producer, a screen star and more than a few films. Although this text takes the form of creative writing,\\n it is based on historical and archival research.\",\"PeriodicalId\":38659,\"journal\":{\"name\":\"Studies in South Asian Film and Media\",\"volume\":\"11 1\",\"pages\":\"245-250\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in South Asian Film and Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/SAFM_00031_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in South Asian Film and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/SAFM_00031_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
This short speculative text explores the relationship between the corporeality of a screenwriter and the materiality of a physical space, including its imaginary losses and effects on women’s creative collaborations. In this text, I draw from the information that Begum Para and
Protima Dasgupta were spending a lot of time together in Bombay, living under the same roof, when their creative partnership blossomed and gave the industry a production house, a director-producer, a screen star and more than a few films. Although this text takes the form of creative writing,
it is based on historical and archival research.