从斗篷到塔夫皮牛仔裤：斯蒂芬·金的吸血鬼和20世纪80年代的焦虑

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY

Horror Studies Pub Date : 2021-10-01 DOI:10.1386/host_00040_1

Kathleen Blumreich, Corinna McLeod

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引用次数: 0

摘要

这篇文章的中心前提是，斯蒂芬·金将吸血鬼作为一个恐怖的人物在三个文本中转换:“塞勒姆的停车场”，“夜行者”和“波西”。借鉴里根时代的焦虑，金在《波波西》中给我们带来了这样的结论:吸血鬼的原型不一定是人们需要害怕的，因为它是捕食脆弱的人类怪物。

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From capes to Tuffskin jeans: Stephen King’s vampires and 1980s angst

The central premise of this article is that Stephen King’s use of the vampire as a figure of horror transforms across three texts: ‘Salem’s Lot, ‘The night flier’ and ‘Popsy’. Drawing upon Reagan-era anxieties, King brings us to the conclusion in ‘Popsy’ that the prototypical vampire is not necessarily the one people need to fear since it is the human monster who preys on the vulnerable.

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来源期刊

Horror Studies HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.50

自引率

0.00%

发文量