迪拜移动应用介导的时空全球定位的构成:对话中的后现象学与后数字化

IF 1.2 4区 社会学 Q2 CULTURAL STUDIES
A. Salama, R. Fawzy
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引用次数: 2

摘要

本研究提出,“时空全球定位”的概念综合体是一种潜在的后数字现象,存在于移动应用介导的旅游景观表征中,并以迪拜旅游移动应用为分析重点。本文采用了三种理论模型,采用了一种综合的三方方法:(1)Don Ihde的后现象学观点与Roudometof的折射全球定位模型相一致;(2) Vásquez和Cooren的组织交际构成(CCO)理论模型;(3)哈贝马斯的言语行为语用模型。基于方法的分析得出了三个结论。首先,迪拜存在各种后数字折射旅游地,具有全球流动的文化景观:民族景观、媒体景观、金融景观、思想景观和技术景观。其次,研究表明,应用介导的全球定位通过三种间隔实践进行组织:(1)展示技术与人类参与者的全球本地化混合互动的重要性;(2)通过在5天的常规间隔框架内创造更多的空间和时间,对迪拜旅游景观的全球本地化脚本轨迹进行排序;(3)通过在传统和现代层面上指定脚本轨迹,与迪拜旅游景观的全球本地化叙事相关联。第三,言语行为理论在定义“话语世界”方面发挥了重要作用,在“话语世界”中,人类与非人类的互动以交流的方式展开,即移动界面技术参与者和应用程序用户。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Constitution of Dubai’s Mobile-App-Mediated Spatiotemporal Glocalization: Postphenomenology and Postdigitality in Dialogue
The present study proposes the notion-complex of “spatiotemporal glocalization” as a potentially postdigital phenomenon inhering in the touristscape representations mediated by mobile apps, with an analytic focus on the Dubai Travel mobile app. An integrative tripartite approach has been adopted with three theoretical models at work: (1) Don Ihde’s postphenomenological perspective as reconcilable with Roudometof’s model of refracted glocalities; (2) Vásquez and Cooren’s theoretical model of Communicative Constitution of Organizing (CCO); and (3) Jürgen Habermas’s pragmatic model of speech acts. Three findings have resulted from the approach-informed analysis. First, there existed various postdigital refracted touristic glocalities about Dubai with globally flowing cultural landscapes: ethnoscapes, mediascapes, financescapes, ideoscapes, and technoscapes. Second, it was demonstrated that the app-mediated glocalities have been organized through three spacing practices: (1) presentifying the materiality of glocalized hybrid interactions of techno-human actors, (2) ordering the glocal scripted trajectories of Dubai touristscape by creating more space and time across a 5-day regular framework of intervals, and (3) accounting as associated with the glocal narrative of Dubai touristscape through specifying its scripted trajectory at traditional and modern levels. Third, speech act theory has been instrumental in defining the “discourse worlds” in which human–nonhuman interactions communicatively unfolded, namely, mobile-interface technological actors and app users.
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来源期刊
Space and Culture
Space and Culture Multiple-
CiteScore
2.80
自引率
10.00%
发文量
39
期刊介绍: Space and Culture is an interdisciplinary journal that fosters the publication of reflections on a wide range of socio-spatial arenas such as the home, the built environment, architecture, urbanism, and geopolitics. it covers Sociology, in particular, Qualitative Sociology and Contemporary Ethnography; Communications, in particular, Media Studies and the Internet; Cultural Studies; Urban Studies; Urban and human Geography; Architecture; Anthropology; and Consumer Research. Articles on the application of contemporary theoretical debates in cultural studies, discourse analysis, virtual identities, virtual citizenship, migrant and diasporic identities, and case studies are encouraged.
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