{"title":"多萝西娅·坦宁对母亲的重新想象","authors":"Gabriela Glăvan","doi":"10.1515/rjes-2021-0008","DOIUrl":null,"url":null,"abstract":"Abstract Dorothea Tanning’s longstanding interest in the maternal element completes the artist’s complex relationship to femininity and the female experience, turning them into essential themes in her oeuvre. I shall explore the particular manner in which the American Surrealist integrates and transforms the notion of motherhood in her art. I shall also argue that Tanning’s works as a writer offer an original insight into this cardinal theme in western art, as she dismantles common tropes and refashions them into a new, unusual language.","PeriodicalId":30681,"journal":{"name":"Romanian Journal of English Studies","volume":"18 1","pages":"70 - 75"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dorothea Tanning’s Reimagining of the Maternal\",\"authors\":\"Gabriela Glăvan\",\"doi\":\"10.1515/rjes-2021-0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Dorothea Tanning’s longstanding interest in the maternal element completes the artist’s complex relationship to femininity and the female experience, turning them into essential themes in her oeuvre. I shall explore the particular manner in which the American Surrealist integrates and transforms the notion of motherhood in her art. I shall also argue that Tanning’s works as a writer offer an original insight into this cardinal theme in western art, as she dismantles common tropes and refashions them into a new, unusual language.\",\"PeriodicalId\":30681,\"journal\":{\"name\":\"Romanian Journal of English Studies\",\"volume\":\"18 1\",\"pages\":\"70 - 75\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanian Journal of English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/rjes-2021-0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanian Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/rjes-2021-0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Abstract Dorothea Tanning’s longstanding interest in the maternal element completes the artist’s complex relationship to femininity and the female experience, turning them into essential themes in her oeuvre. I shall explore the particular manner in which the American Surrealist integrates and transforms the notion of motherhood in her art. I shall also argue that Tanning’s works as a writer offer an original insight into this cardinal theme in western art, as she dismantles common tropes and refashions them into a new, unusual language.
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