中西井介与中条英治:早期无产阶级文学的现实主义与真实性

Q2 Arts and Humanities
Quillon Arkenstone
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引用次数: 2

摘要

摘要:本文探讨了20世纪20年代左翼作家中西井介作品在日本和韩国的受欢迎程度。特别是两部小说,《来自红土地的萌芽》和《在你身后》,因其对半岛生活的现实再现而广受赞誉,尤其是对日本帝国主义活动和韩国人反殖民反击的描绘。然而,根据观众的不同,这些小说的解读方式也各不相同,从而产生了中西的相互竞争的形象。一些评论家认为他是新兴的国际无产阶级意识的倡导者,而包括许多韩国人在内的其他读者则认为中西(他们称他为ChungsŏIjijo,韩国人对他的名字的解读)是殖民民族主义的支持者。还有一些人完全质疑他的真实性。文章追溯了从这些早期作品到1925年8月他参与成立韩国艺术家无产阶级联合会(KAPF)及其后对中西洋司的这些解释的发展,认为他的作品成功地驾驭了无产阶级文化运动的萌芽时期,直到其崩溃,其能力在于(并继续存在于)它们的模糊性,从20世纪20年代到今天,这种模糊性促进了对他的不断重新解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nakanishi Inosuke and Chungsŏ Ijijo: Realism and Authenticity in Early Proletarian Literature
ABSTRACT:This article discusses the reception in Japan and Korea of the works of Nakanishi Inosuke, a leftist writer in the 1920s whose experiences in Korea formed the basis for much of his work. Two novels in particular, Sprouts from Red Earth and Behind You, were widely praised for their realistic representation of life on the peninsula, especially their depiction of Japanese imperialist activities and the anti-colonial pushback from Koreans. How exactly these novels were to be interpreted varied according to audience, however, giving rise to competing images of Nakanishi. Some critics considered him to be an advocate of a newly emerging international proletarian consciousness while other readers, including many Koreans, looked on Nakanishi (whom they called Chungsŏ Ijijo, the Korean reading of his name) as a supporter of colonial nationalism. Still others contested his claim to authenticity altogether. In tracing the development of these interpretations of Nakanishi from these early works up until his participation in the founding of the Korean Artist Proletarian Federation (KAPF) in August 1925 and after, the article argues that his works' ability to successfully navigate the period of a dawning proletarian cultural movement through to its collapse lay (and continues to lie) in their ambiguity, an ambiguity that has facilitated a continual reinterpretation of him from the 1920s to the present day.
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