我误解你的意思了

Rajnesh Chakrapani
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引用次数: 0

摘要

这本聆听日志是关于悲伤和家庭,声音如何与文字和交流领域交织在一起,如何请求指示让死者的遗体安息。观察者为实施者创造可信度,而实施者反过来又赋予观察者以重要性。健全实践的主线是信任。谁让我为他们腾出空间,我也让谁为我腾出空间。在记录Amma去世的过程中,我思考了很多关于听力日记的练习是如何影响我的口语,我的表演练习,我听别人说话。我注意到,当我听录音的时候,我有很多umm 's,好像在我的演讲中有一种嗡嗡声,但它也造成了对演讲权威的犹豫和停顿。也许我的听力练习是为了创造一个体验、移动、倾听和思考的栖息地。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
I misunderstand you
This listening journal is about grief and family, the way sounds interweaves with text and realms of communication, how to ask for instructions to lay to rest the remains of the dead. An observer creates credibility for the doer, which in turn gives importance to the observer. The thread of the sound practice is trust. Who lets me hold space for them, who I let hold space for me. In recording this journey of Amma's death, I thought a lot about how my practice with the listening journals influenced my speaking, my performance practice, my listening to people speak. I noticed that when I listen to my recording, I had a lot of umm’s, as if there was a hum in the middle of my speech, but it also created a hesitancy and pause to the authority of speech. Perhaps my listening practice is to create a habitat to experience, to move, to listen, to think.
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