海地僵尸主题:反对单调的反黑人暴力

IF 0.4 4区 社会学 0 ART
Darlène Dubuisson
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引用次数: 0

摘要

痛苦和没有生命的黑人身体的图像的流通和消费是美国视觉媒体的一个长期特征。由于每一份关于黑人苦难和死亡的档案都有其特定的历史、话语和情感关系,因此本文研究了一组特殊的图像:《时代》杂志2010年海地地震受害者的照片。文章认为,这些照片通过使用海地僵尸主题来唤起人们的神秘——一种“可怕的”黑人种族差异的形象。文章从两个方面追溯照片对怪诞的启发:一是强调图像如何产生自我/他人的滑移,从而肯定怪诞;第二,它考察了这些滑脱的阴险和暴力的方式,使那些被描绘的人失去人性,肢解和剥夺,为非黑人观察者产生一种“消极的熟悉感”,从而使反黑人暴力变得平庸。文章最后呼吁以“激进的同理心”来对抗这种暴力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Haitian zombie motif: against the banality of antiblack violence
The circulation and consumption of the images of suffering and lifeless black bodies is a longstanding feature of US visual media. Since each archive of suffering and dead black bodies operates within specific histories, discourses, and affective relationships, this article examines a particular collection of images: the Time magazine photos of the 2010 Haiti earthquake victims. The article argues that the photos evoke the uncanny by using the Haitian zombie motif – an image of ‘monstrous’ black racial difference. The article traces the photos’ elicitation of the uncanny in two ways: one, it highlights how the images produce self/other slippages and thus affirm the uncanny; and two, it examines the insidious and violent ways these slippages dehumanize, dismember, and dispossess those depicted to produce a ‘negative familiarity’ for the non-black observer, thus lending to the banality of antiblack violence. The article ends with a call for ‘radical empathy’ to combat this violence.
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来源期刊
CiteScore
2.50
自引率
0.00%
发文量
0
期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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