{"title":"喜剧《gottschediana》中的忧郁。Theodor Johann Quistorp的《Hypochondrist","authors":"M. Pirro","doi":"10.54103/1593-2478/18975","DOIUrl":null,"url":null,"abstract":"Theodor Johann Quistorp was among the regular contributors to Gottsched’s Deutsche Schaubühne (1741-1745). In addition to his published works as a playwright, he tried his hand at writing non-fiction, taking a stand against Baumgarten’s theories, and engaging in a heated debate with Georg Friedrich Meier. Quistorp’s comedies are actually based on a conception of the comic effect that is far removed from Gottschedian rationalism. In his Hypochondrist (1745), melancholy and depression are not represented as evil and morally deviant, but as a physiological expression of human nature, which is to be linked to all other aspects of individual identity.","PeriodicalId":40158,"journal":{"name":"Studia Theodisca","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Un malinconico nella commedia gottschediana. «Der Hypochondrist» di Theodor Johann Quistorp\",\"authors\":\"M. Pirro\",\"doi\":\"10.54103/1593-2478/18975\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Theodor Johann Quistorp was among the regular contributors to Gottsched’s Deutsche Schaubühne (1741-1745). In addition to his published works as a playwright, he tried his hand at writing non-fiction, taking a stand against Baumgarten’s theories, and engaging in a heated debate with Georg Friedrich Meier. Quistorp’s comedies are actually based on a conception of the comic effect that is far removed from Gottschedian rationalism. In his Hypochondrist (1745), melancholy and depression are not represented as evil and morally deviant, but as a physiological expression of human nature, which is to be linked to all other aspects of individual identity.\",\"PeriodicalId\":40158,\"journal\":{\"name\":\"Studia Theodisca\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Theodisca\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54103/1593-2478/18975\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Theodisca","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54103/1593-2478/18975","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
引用次数: 0
摘要
Theodor Johann Quistorp是Gottsched的《Deutsche schaub hne》(1741-1745)的定期撰稿人之一。除了作为剧作家出版作品外,他还尝试过写非虚构作品,反对鲍姆加滕的理论,并与乔治·弗里德里希·迈耶进行了激烈的辩论。基斯托普的喜剧实际上是基于一种喜剧效果的概念,这与戈特谢德式的理性主义相去甚远。在他的《疑病者》(1745)中,忧郁和抑郁并没有被描绘成邪恶和道德上的偏差,而是作为人性的一种生理表现,与个人身份的所有其他方面联系在一起。
Un malinconico nella commedia gottschediana. «Der Hypochondrist» di Theodor Johann Quistorp
Theodor Johann Quistorp was among the regular contributors to Gottsched’s Deutsche Schaubühne (1741-1745). In addition to his published works as a playwright, he tried his hand at writing non-fiction, taking a stand against Baumgarten’s theories, and engaging in a heated debate with Georg Friedrich Meier. Quistorp’s comedies are actually based on a conception of the comic effect that is far removed from Gottschedian rationalism. In his Hypochondrist (1745), melancholy and depression are not represented as evil and morally deviant, but as a physiological expression of human nature, which is to be linked to all other aspects of individual identity.