来自边界的文学表征:美国梦、移民与身份

Hilda Virginia Gairaud Ruiz
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引用次数: 0

摘要

本文旨在比较和对比在文学中表现的主体性概念和在边界中构建的主体性概念:在历史上,物理的和想象的地缘政治场所将身份定位在边缘。比较分析考察了文学文本中边缘身份的表现,特别是那些属于连字符文化的作者所写的作品,如古巴裔美国人Gustavo psamurez - firmat(1994),“双语蓝调”和墨西哥裔美国人Gloria Anzaldúa的“La encrucijada”,以及参考书目中提到的其他作品。研究表明,文学文本中对主体性和次等性的描绘与各种权力话语和庞大的政治结构相抗衡,这些话语和政治结构往往压制和限制了人物作为生活在美国的人的发展和状况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literary Representations from the Border: The American Dream, Immigration and Identity
Abstract This article aims to compare and contrast the concepts of subjectivity represented in literature and constructed in borders: physical and imaginary geopolitical sites that have positioned identities in the margins throughout history. The comparative analysis examines the representation of marginal identities in literary texts, specifically those written by authors belonging to hyphenated cultures such as the Cuban-American Gustavo Pérez-Firmat (1994), “Bilingual Blues,” and Mexican-American Gloria Anzaldúa’s “La encrucijada,” among others, mentioned in the bibliography. The study shows that the portrayal of subjectivity and subalternity in literary texts contends with diverse discourses of power and hefty political structures that tend to repress and to delimit character’s development and conditions as human beings living in the United States.
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