{"title":"迭戈塞拉神父和他的学校:他们对菲律宾器官文化的贡献","authors":"Leonard A. Renier","doi":"10.55997/1007pslvi167a7","DOIUrl":null,"url":null,"abstract":"Diego Cera has been heralded as the builder of the Bamboo Organ of Las Piñas. This article explores how he passed on his technical knowledge to his apprentices, who after his death, continued building pipe organs during the middle of the 19th century. When all the organs he built and the social environment in which he worked are integrated in his life story, a new picture emerges with lessons for the future of church music in the country.","PeriodicalId":40744,"journal":{"name":"Philippiniana Sacra","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fr. Diego Cera and His School: Their Contribution to the Organ Culture of the Philippines\",\"authors\":\"Leonard A. Renier\",\"doi\":\"10.55997/1007pslvi167a7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Diego Cera has been heralded as the builder of the Bamboo Organ of Las Piñas. This article explores how he passed on his technical knowledge to his apprentices, who after his death, continued building pipe organs during the middle of the 19th century. When all the organs he built and the social environment in which he worked are integrated in his life story, a new picture emerges with lessons for the future of church music in the country.\",\"PeriodicalId\":40744,\"journal\":{\"name\":\"Philippiniana Sacra\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Philippiniana Sacra\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.55997/1007pslvi167a7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Philippiniana Sacra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.55997/1007pslvi167a7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
摘要
Diego Cera被誉为拉斯皮尼亚斯竹风琴的建造者。这篇文章探讨了他是如何将自己的技术知识传授给学徒的，在他去世后，学徒们在19世纪中期继续建造管风琴。当他建造的所有器官和他工作的社会环境都融入到他的人生故事中时，一幅新的画面出现了，为这个国家教会音乐的未来提供了教训。
Fr. Diego Cera and His School: Their Contribution to the Organ Culture of the Philippines
Diego Cera has been heralded as the builder of the Bamboo Organ of Las Piñas. This article explores how he passed on his technical knowledge to his apprentices, who after his death, continued building pipe organs during the middle of the 19th century. When all the organs he built and the social environment in which he worked are integrated in his life story, a new picture emerges with lessons for the future of church music in the country.
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