{"title":"巴纳尔的特权：巴黎的艺术、世俗主义和天主教。","authors":"James S. Bielo","doi":"10.1080/17432200.2021.2015931","DOIUrl":null,"url":null,"abstract":"119 what Modern terms “evangelical secularism.” Apocalyptic Geographies cites Modern’s Secularism in Antebellum America when examining Henry David Thoreau’s Walden (2011, 203, n. 57), but does not engage with the concept of “evangelical secularism” as a framework or Modern as a significant interlocuter. Deeper engagement with religious studies scholars would have offered more nuanced ways of theorizing the American landscape as an apocalyptic, evangelical mediascape entangled in secularism and the Enlightenment.","PeriodicalId":18273,"journal":{"name":"Material Religion","volume":"18 1","pages":"119 - 121"},"PeriodicalIF":0.3000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":"{\"title\":\"The Privilege of Being Banal: Art, Secularism, and Catholicism in Paris.\",\"authors\":\"James S. Bielo\",\"doi\":\"10.1080/17432200.2021.2015931\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"119 what Modern terms “evangelical secularism.” Apocalyptic Geographies cites Modern’s Secularism in Antebellum America when examining Henry David Thoreau’s Walden (2011, 203, n. 57), but does not engage with the concept of “evangelical secularism” as a framework or Modern as a significant interlocuter. Deeper engagement with religious studies scholars would have offered more nuanced ways of theorizing the American landscape as an apocalyptic, evangelical mediascape entangled in secularism and the Enlightenment.\",\"PeriodicalId\":18273,\"journal\":{\"name\":\"Material Religion\",\"volume\":\"18 1\",\"pages\":\"119 - 121\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Material Religion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17432200.2021.2015931\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Material Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17432200.2021.2015931","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
The Privilege of Being Banal: Art, Secularism, and Catholicism in Paris.
119 what Modern terms “evangelical secularism.” Apocalyptic Geographies cites Modern’s Secularism in Antebellum America when examining Henry David Thoreau’s Walden (2011, 203, n. 57), but does not engage with the concept of “evangelical secularism” as a framework or Modern as a significant interlocuter. Deeper engagement with religious studies scholars would have offered more nuanced ways of theorizing the American landscape as an apocalyptic, evangelical mediascape entangled in secularism and the Enlightenment.
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