成为之旅:奇玛曼达·恩戈齐·阿迪奇《美国人》中的头发、博客圈和诗学

IF 0.2 0 LITERARY THEORY & CRITICISM
Fiona Darroch
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引用次数: 2

摘要

奇玛曼达·恩戈齐·阿迪奇的小说《Americanah》通过探索“博客写作”潜在的变革力量,对互文性和成为性进行了挑衅性的思考。本文通过对梅拉·里维拉的《肉的诗学》和阿迪奇的《Americanah)的合读,详细介绍了虚拟与材料之间的交叉点;在(想象中的“其他文字”)博客圈中写关于头发有机物的文章。小说的叙述者Ifemelu通过在线聊天室分享了自己的故事,决定停止使用松弛剂,让自己的头发自然,之后她建立了一个博客;她拒绝为了在美国移民的成功而进行仪式性的表演。在这篇文章中,我认为Adichie对Ifemelu与头发关系的详细描述探索了创造性实践或诗学与我们的肉体之旅密切联系的方式;我们的身体上有社会历史的印记。博客变成了一个忏悔录,详细描述了种族的社会结构对她的身体产生的贬低作用。但博客最终会自我毁灭。只有当Ifemelu回到尼日利亚时,她才体现出当代故事讲述模式的变革和宣泄力量,并最终能够“自我旋转”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah
Chimamanda Ngozi Adichie’s novel Americanah provides provocative reflections on intertextuality and becoming by exploring the potentially transformative power of “blog-writing.” Through a combined reading of Mayra Rivera’s Poetics of the Flesh and Adichie’s Americanah, this article details intersections between the virtual and the material; writing in the (imagined “other-wordly”) blogosphere about the organic matter of hair. The narrator of the novel, Ifemelu, establishes a blog after she shares her story to decide to stop using relaxants and to allow her hair to be natural, via an online chat-room; she refuses to go through ritual performances in order to succeed as a migrant in America. In this article I argue that Adichie’s detailing of Ifemelu’s relationship with her hair explores the way in which creative practice, or poetics, is intimately connected to the journey of our flesh; social history is marked on our bodies. The blog becomes a confessional which details the demeaning effect that social constructions of race have had on her body. But the blog ultimately becomes self-destructive. It is only when Ifemelu returns to Nigeria that she embodies the transformative and cathartic power of contemporary modes of story-telling, and where she is finally able to “spin herself into being.”
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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