{"title":"教会与社会:东正教歌曲在现代社会中的地位和意义","authors":"Владимир Лебецкий","doi":"10.15290/elpis.2019.21.01","DOIUrl":null,"url":null,"abstract":"The article raises questions of the importance of Orthodox chants in the life of modern society, considers the relevance of their performance on the concert stage, outside the liturgical practice, and analyzes the liturgical repertoire and the dominant factors necessary for the composer, who begins to create Orthodox works. At the same time, the Festivals of Orthodox chants, their spheres of influence on listeners and society are systematized and compared.","PeriodicalId":30709,"journal":{"name":"Elpis","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Церковь и общество: место и значение православных песнопений в современном социуме\",\"authors\":\"Владимир Лебецкий\",\"doi\":\"10.15290/elpis.2019.21.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article raises questions of the importance of Orthodox chants in the life of modern society, considers the relevance of their performance on the concert stage, outside the liturgical practice, and analyzes the liturgical repertoire and the dominant factors necessary for the composer, who begins to create Orthodox works. At the same time, the Festivals of Orthodox chants, their spheres of influence on listeners and society are systematized and compared.\",\"PeriodicalId\":30709,\"journal\":{\"name\":\"Elpis\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Elpis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15290/elpis.2019.21.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Elpis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15290/elpis.2019.21.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Церковь и общество: место и значение православных песнопений в современном социуме
The article raises questions of the importance of Orthodox chants in the life of modern society, considers the relevance of their performance on the concert stage, outside the liturgical practice, and analyzes the liturgical repertoire and the dominant factors necessary for the composer, who begins to create Orthodox works. At the same time, the Festivals of Orthodox chants, their spheres of influence on listeners and society are systematized and compared.