现代主义时期的密宗作家群体创作——对非洲现代主义与反现代主义的批判打断

J. Woodson
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引用次数: 0

摘要

像其他“新现代主义”一样,非洲现代主义并不存在于它作为一个批判口号的角色之外。对现代主义时期非裔美国人文本的解读一直受到简化处理,忽视了许多因素。在本文中,我将研究现代主义作品中一个未被承认的特征,它从根本上改变了对许多重要文本的理解。文学现代主义批评家的一个假设是,个人主义是该运动的试金石。个人主义不适用于美国现代主义的一个标志是出现了深奥的群体构成。那些建立了非洲现代主义的文学批评家们并没有考虑到神秘主义,所以对个性的挑战也不在这些研究的范围之内。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Group Composition of Literary Works by Esoteric Writers in the Modernist Period: A Critical Interruption of Afro-Modernism and Antimodernism
Like the other “new modernisms” Afro-Modernism does not exist beyond its role as a critical catchword. The readings given to African-American texts of the modernist period have been subjected to reductive treatments that have overlooked many factors. In this paper I will examine an unacknowledged feature of modernist works that radically changes the understanding of many important texts. One assumption of the critics of literary modernism is that individualism is a touchstone of the movement. One sign of the inapplicability of individuality to American modernism is the occurrence of esoteric group composition. The esoteric does not come into consideration by the literary critics who have established Afro-Modernism, so it is not within the scope of those investigations that challenges to individuality have been considered.
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