{"title":"从纯真到经验,以及约翰·普林歌词选集中的其他过渡","authors":"P. Jenkins","doi":"10.1080/03007766.2022.2096290","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay examines thirteen songs written by award-winning singer-songwriter John Prine. Though Prine is perhaps best known for his humorous material, it is his more serious compositions that will likely stand the test of time. Many of these songs display variations on the theme of transition, especially the difficult human journey from innocence to experience.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"553 - 567"},"PeriodicalIF":1.3000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Innocence to Experience, and Other Transitions in Selected Lyrics of John Prine\",\"authors\":\"P. Jenkins\",\"doi\":\"10.1080/03007766.2022.2096290\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay examines thirteen songs written by award-winning singer-songwriter John Prine. Though Prine is perhaps best known for his humorous material, it is his more serious compositions that will likely stand the test of time. Many of these songs display variations on the theme of transition, especially the difficult human journey from innocence to experience.\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"45 1\",\"pages\":\"553 - 567\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2022.2096290\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2022.2096290","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
From Innocence to Experience, and Other Transitions in Selected Lyrics of John Prine
ABSTRACT This essay examines thirteen songs written by award-winning singer-songwriter John Prine. Though Prine is perhaps best known for his humorous material, it is his more serious compositions that will likely stand the test of time. Many of these songs display variations on the theme of transition, especially the difficult human journey from innocence to experience.
期刊介绍:
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.