华尔街:资本主义与掠夺本能

IF 1.5 Q1 CULTURAL STUDIES
Thierry Suchère
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引用次数: 0

摘要

金融市场有着悠久的社会历史。19世纪,资本市场的诞生催生了证券交易所小说的诞生,巴尔扎克、左拉等人都受到了证券交易所小说的启发。在20世纪80年代,随着经济的金融化,电影通过金融惊悚片捕捉到了这种变化。奥利弗·斯通(Oliver Stone)的《华尔街》(1987)开创了最近一系列与股票交易有关的电影的先河。电影《华尔街》告诉我们,金融活动使社会地位迅速提升。股市活动被描绘成一场零和游戏。钱只是通过魔法从一个口袋转到另一个口袋。因此,资本主义的动力部分源于它所剥削的个人的贪婪。市场是另一种形式的经济理性以一种不受道德负担的掠夺本能的形式展开的地方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wall Street: on capitalism and the predatory instinct
ABSTRACT Financial markets have a social history. In the 19th century, birth of capital markets led to the birth of the stock exchange novel, which inspired H de Balzac, E Zola, etc. During the 1980s, the financialization of the economy saw the cinema captured this change through the financial thriller. Oliver Stone’s Wall Street (1987) inaugurates a list of recent movies that deals with the stock exchange. The film Wall Street shows us that financial activity allows rapid social ascension. The stock market activity is presented as a zero-sum game. Money simply passes from one pocket to another by the virtue of magic. The dynamic of capitalism thus finds part of their source in the greed of the individuals that it exploits. The market is the place where another form of economic rationality unfolds in the form of an instinct for predation which is not burdened by morality.
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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