{"title":"转型中的手工绘画——浅谈数字化时代“以图设计”与人体技术的潜力","authors":"Gert Hasenhütl","doi":"10.5406/jaesteduc.54.2.0056","DOIUrl":null,"url":null,"abstract":"Abstract:This paper analyzes the transformation of manual drawing in the context of design and art. The historical paradigm shift from \"unselfconscious form-making processes\" to \"design-by-drawing\" is closely associated with the current transformation of manual drawing into \"digital\" or \"spatial sketching.\" It is argued that design-by-drawing has changed our view of manual drawing as a body technique, for example, from hand–eye coordination more toward an aesthetic perspective by coupling certain forms of attention to this technique. Design-by-drawing is transforming manual drawing into diagramming, coding, or modeling within the paradigm of system design. It becomes obvious that the paradigm shift is not based on disruptive but on incremental innovations since the 1960s. An important focus is on the disparity between a deskilling of classical manual abilities and a reskilling of \"body techniques\" by the use of innovative man–machine interfaces. By reviewing the pros and cons of manual drawings from the fields of engineering design, graphic design, and art education, future prospects of the use of manual drawings are shown. Examining historical changes in manual drawing can help in understanding current transformations. The arguments presented can contribute to the development of a new framework for the use of this classic technique in design.","PeriodicalId":45866,"journal":{"name":"JOURNAL OF AESTHETIC EDUCATION","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2020-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Manual Drawing in Transformation: A Brief Assessment of \\\"Design-by-Drawing\\\" and Potentials of a Body Technique in Times of Digitalization\",\"authors\":\"Gert Hasenhütl\",\"doi\":\"10.5406/jaesteduc.54.2.0056\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This paper analyzes the transformation of manual drawing in the context of design and art. The historical paradigm shift from \\\"unselfconscious form-making processes\\\" to \\\"design-by-drawing\\\" is closely associated with the current transformation of manual drawing into \\\"digital\\\" or \\\"spatial sketching.\\\" It is argued that design-by-drawing has changed our view of manual drawing as a body technique, for example, from hand–eye coordination more toward an aesthetic perspective by coupling certain forms of attention to this technique. Design-by-drawing is transforming manual drawing into diagramming, coding, or modeling within the paradigm of system design. It becomes obvious that the paradigm shift is not based on disruptive but on incremental innovations since the 1960s. An important focus is on the disparity between a deskilling of classical manual abilities and a reskilling of \\\"body techniques\\\" by the use of innovative man–machine interfaces. By reviewing the pros and cons of manual drawings from the fields of engineering design, graphic design, and art education, future prospects of the use of manual drawings are shown. Examining historical changes in manual drawing can help in understanding current transformations. The arguments presented can contribute to the development of a new framework for the use of this classic technique in design.\",\"PeriodicalId\":45866,\"journal\":{\"name\":\"JOURNAL OF AESTHETIC EDUCATION\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-04-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF AESTHETIC EDUCATION\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.5406/jaesteduc.54.2.0056\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF AESTHETIC EDUCATION","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.5406/jaesteduc.54.2.0056","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Manual Drawing in Transformation: A Brief Assessment of "Design-by-Drawing" and Potentials of a Body Technique in Times of Digitalization
Abstract:This paper analyzes the transformation of manual drawing in the context of design and art. The historical paradigm shift from "unselfconscious form-making processes" to "design-by-drawing" is closely associated with the current transformation of manual drawing into "digital" or "spatial sketching." It is argued that design-by-drawing has changed our view of manual drawing as a body technique, for example, from hand–eye coordination more toward an aesthetic perspective by coupling certain forms of attention to this technique. Design-by-drawing is transforming manual drawing into diagramming, coding, or modeling within the paradigm of system design. It becomes obvious that the paradigm shift is not based on disruptive but on incremental innovations since the 1960s. An important focus is on the disparity between a deskilling of classical manual abilities and a reskilling of "body techniques" by the use of innovative man–machine interfaces. By reviewing the pros and cons of manual drawings from the fields of engineering design, graphic design, and art education, future prospects of the use of manual drawings are shown. Examining historical changes in manual drawing can help in understanding current transformations. The arguments presented can contribute to the development of a new framework for the use of this classic technique in design.
期刊介绍:
The Journal of Aesthetic Education (JAE) is a highly respected interdisciplinary journal that focuses on clarifying the issues of aesthetic education understood in its most extensive meaning. The journal thus welcomes articles on philosophical aesthetics and education, to problem areas in education critical to arts and humanities at all institutional levels; to an understanding of the aesthetic import of the new communications media and environmental aesthetics; and to an understanding of the aesthetic character of humanistic disciplines. The journal is a valuable resource not only to educators, but also to philosophers, art critics and art historians.