{"title":"音乐合奏中的协同调节时间:贝叶斯听众视角","authors":"M. Leman","doi":"10.1080/09298215.2021.1907419","DOIUrl":null,"url":null,"abstract":"Co-regulated timing in a music ensemble rests on the human capacity to coordinate actions in time. Here we explore the hypothesis that humans predict timing constancy in coordinated actions, in view of timing their own actions in line with the others. An algorithm (BListener) is presented that predicts timing constancy, using Bayesian inference about incoming timing data from the music ensemble. The algorithm is then applied to a timing analysis of real data, first, to a choir consisting of four singers, then, to a dataset containing performances of duet singers. Global features of timing constancy, such as fluctuation and stability, correlate with human subjective estimates of the music ensembles’ quality and associated experienced agency. In future work, BListener could serve as component in an artificial musician that plays along with human musicians in a music ensemble.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":"50 1","pages":"121 - 132"},"PeriodicalIF":1.1000,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2021.1907419","citationCount":"2","resultStr":"{\"title\":\"Co-regulated timing in music ensembles: A Bayesian listener perspective\",\"authors\":\"M. Leman\",\"doi\":\"10.1080/09298215.2021.1907419\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Co-regulated timing in a music ensemble rests on the human capacity to coordinate actions in time. Here we explore the hypothesis that humans predict timing constancy in coordinated actions, in view of timing their own actions in line with the others. An algorithm (BListener) is presented that predicts timing constancy, using Bayesian inference about incoming timing data from the music ensemble. The algorithm is then applied to a timing analysis of real data, first, to a choir consisting of four singers, then, to a dataset containing performances of duet singers. Global features of timing constancy, such as fluctuation and stability, correlate with human subjective estimates of the music ensembles’ quality and associated experienced agency. In future work, BListener could serve as component in an artificial musician that plays along with human musicians in a music ensemble.\",\"PeriodicalId\":16553,\"journal\":{\"name\":\"Journal of New Music Research\",\"volume\":\"50 1\",\"pages\":\"121 - 132\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2021-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/09298215.2021.1907419\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of New Music Research\",\"FirstCategoryId\":\"94\",\"ListUrlMain\":\"https://doi.org/10.1080/09298215.2021.1907419\",\"RegionNum\":4,\"RegionCategory\":\"计算机科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of New Music Research","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.1080/09298215.2021.1907419","RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Co-regulated timing in music ensembles: A Bayesian listener perspective
Co-regulated timing in a music ensemble rests on the human capacity to coordinate actions in time. Here we explore the hypothesis that humans predict timing constancy in coordinated actions, in view of timing their own actions in line with the others. An algorithm (BListener) is presented that predicts timing constancy, using Bayesian inference about incoming timing data from the music ensemble. The algorithm is then applied to a timing analysis of real data, first, to a choir consisting of four singers, then, to a dataset containing performances of duet singers. Global features of timing constancy, such as fluctuation and stability, correlate with human subjective estimates of the music ensembles’ quality and associated experienced agency. In future work, BListener could serve as component in an artificial musician that plays along with human musicians in a music ensemble.
期刊介绍:
The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.