他们把摩西和亚伦看成是一神论的悲剧

IF 0.2 3区文学 0 LANGUAGE & LINGUISTICS

POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT Pub Date : 2020-12-16 DOI:10.30965/25890530-05102002

J. Assmann

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引用次数: 0

摘要

勋伯格并没有打算把他的歌剧《摩西和阿隆》变成一部悲剧。他创作的两幕以摩西绝望的崩溃悲剧收场，接下来是第三幕，以摩西的坚强、亚伦的死和一个积极的信息结束。然而，勋伯格并没有设法写出完整的文本，尽管他有足够的时间这样做。尽管勋伯格从来不想承认这一点，但这部歌剧以第二幕的悲剧结尾，找到了它最终的、无与伦比的结局。

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Ende wider Willen: Schönbergs Moses und Aron – Die Tragödie des Monotheismus

Schoenberg did not intend his opera Moses and Aron to be a tragedy. The two acts he composed, which end tragically with Moses’ desperate breakdown, were to be followed by a third act, which would have ended with Moses’ resilience, Aron’s death, and a positive message. Schoenberg, however, did not manage to compose the finished text, although he had plenty of time to do so. Even though Schoenberg never wanted to admit this, the opera found its ultimate, unsurpassable ending with the tragic end of the second act.

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POETICA-ZEITSCHRIFT FUR SPRACH-UND LITERATURWISSENSCHAFT Multiple-

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0.20

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