{"title":"编辑","authors":"L. Miller","doi":"10.1386/chor_00054_2","DOIUrl":null,"url":null,"abstract":"This editorial is written by Lee Miller, one of Choreographic Practices’ editors (along with Dani Abulhawa, Amaara Raheem and Simon Ellis). Here, Lee discusses the idea of uncertainty and its potential as a tool for resistance. Reflecting on the submissions in this issue, Lee considers how uncertainty might be used within choreographic practices as a way to rethink what we believe to be true, or certain, about ourselves, bodies in movement and the world more broadly.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Editorial\",\"authors\":\"L. Miller\",\"doi\":\"10.1386/chor_00054_2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This editorial is written by Lee Miller, one of Choreographic Practices’ editors (along with Dani Abulhawa, Amaara Raheem and Simon Ellis). Here, Lee discusses the idea of uncertainty and its potential as a tool for resistance. Reflecting on the submissions in this issue, Lee considers how uncertainty might be used within choreographic practices as a way to rethink what we believe to be true, or certain, about ourselves, bodies in movement and the world more broadly.\",\"PeriodicalId\":40658,\"journal\":{\"name\":\"Choreographic Practices\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Choreographic Practices\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/chor_00054_2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Choreographic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/chor_00054_2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
This editorial is written by Lee Miller, one of Choreographic Practices’ editors (along with Dani Abulhawa, Amaara Raheem and Simon Ellis). Here, Lee discusses the idea of uncertainty and its potential as a tool for resistance. Reflecting on the submissions in this issue, Lee considers how uncertainty might be used within choreographic practices as a way to rethink what we believe to be true, or certain, about ourselves, bodies in movement and the world more broadly.
期刊介绍:
Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.