异教徒天堂视觉文化中的绵羊图像&以安蒂奥古代晚期为例

IF 0.1 0 CLASSICS

Akroterion-Journal for the Classics in South Africa Pub Date : 2019-03-14 DOI:10.7445/63-0-996

J. T. Garcia

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引用次数: 0

摘要

在古代晚期的肖像画中，某些动物的出现与不同的条件密切相关。在我们的特殊案例中，我们建议分析阿姆斯特丹Allard Pierson博物馆的一幅马赛克:一只来自安提阿附近早期基督教教堂的长尾羊(约公元475年)。希腊文化深深扎根于安提阿，罗马视觉文化对到达东方城市的艺术潮流产生了强烈的影响。这些地理和文化因素，加上《天堂》的图像程序，形成了一个分析的背景，使我们能够确定羊的存在是如何在古代视觉文化中进化的。

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THE ICONOGRAPHY OF SHEEP IN THE VISUAL CULTURE OF THE PAGAN PARADISE: AN EXAMPLE OF LATE ANTIQUITY IN ANTIOCH

The presence of certain animals in the iconographic programs of Late Antiquity is closely linked to different conditions. In our particular case, we propose to analyze a mosaic of the Allard Pierson Museum in Amsterdam: a fat-tailed sheep (c. AD 475) from an early Christian Church near Antioch. Greek culture was strongly rooted in Antioch, and Roman visual culture had a strong influence on the artistic currents that reached the oriental city. These geographical and cultural factors, in addition to the iconographic program of Paradise, form a context of analysis that will allow us to identify how the presence of the sheep has evolved in the visual culture of Antiquity.

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来源期刊

Akroterion-Journal for the Classics in South Africa CLASSICS-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

8 weeks