马克思主义话语对俄美小说的回归——盖森小说《一个可怕的国家》

IF 0.4 3区 文学 0 LITERATURE
A. Wanner
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引用次数: 0

摘要

摘要:虽然大多数从前苏联来到美国的移民都成为了保守的共和党人,但这一代所谓的俄罗斯裔美国作家拒绝了他们父母的右翼政治,转而支持更自由的立场。然而,这些作者中很少有人会支持“共产主义”或苏联式的国家社会主义。这个规则的一个有趣的例外是作家兼记者Keith Gessen。与俄罗斯自由主义者批评普京政权重新陷入苏联式极权主义不同,盖森将普京主义解释为全球新自由主义的症状性表现。盖森2018年的小说《可怕的国家》追溯了主人公(以及盖森自己)从自由主义到新马克思主义的政治演变。这本书还包含一幅俄罗斯著名诗人和马克思主义活动家基里尔·梅德韦杰夫的虚构肖像。本文以新马克思主义理论为背景,论述了盖森对当代俄罗斯社会的刻画。正如它所说,尽管小说的情节发生在2008年,但盖森利用自己的双文化俄美身份作为政治参与小说的跳板,对普京和特朗普政权提出了控诉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Return of Marxist Discourse to Russian-American Fiction: Keith Gessen's Novel A Terrible Country
abstract:While most of the immigrants who came to the United States from the former Soviet Union have become conservative Republicans, the generation of so-called Russian-American writers has rejected the right-wing politics of their parents in favor of a more liberal position. However, few of these authors go as far as embracing "communism" or Soviet-style state socialism. An interesting exception to this rule is the writer and journalist Keith Gessen. Unlike the Russian liberals, who criticize the Putin regime as a relapse into Soviet-style totalitarianism, Gessen interprets Putinism as a symptomatic manifestation of global neoliberalism. Gessen's 2018 novel A Terrible Country traces the protagonist's (and Gessen's own) political evolution from liberalism to neo-Marxism. The book also contains a fictional portrait of the prominent Russian poet and Marxist activist Kirill Medvedev. This article discusses Gessen's portrayal of contemporary Russian society in the context of neo-Marxist theory. As it argues, even though the plot of the novel is situated in 2008, Gessen presents an indictment of the regimes of Putin and Trump by using his own bicultural Russian-American identity as a springboard for politically engaged fiction.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Comparative Literature Studies publishes comparative articles in literature and culture, critical theory, and cultural and literary relations within and beyond the Western tradition. It brings you the work of eminent critics, scholars, theorists, and literary historians, whose essays range across the rich traditions of Africa, Asia, Europe, and the Americas. One of its regular issues every two years concerns East-West literary and cultural relations and is edited in conjunction with members of the College of International Relations at Nihon University. Each issue includes reviews of significant books by prominent comparatists.
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