导言:“It 's Bigger than Hip Hop”

IF 0.2 0 MUSIC
Adam Haupt, Q. Williams, H. Alim
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引用次数: 4

摘要

这个双重特刊探讨了来自全球南北选定国家的嘻哈行动主义和代表性政治。作者在这个双重问题的第一部分中提供了嘻哈行动主义可能采取的不同形式的关键例子,并为美国文化帝国主义和殖民遗产塑造的媒体和文化领域中的代理辩论提供了有意义的见解。艺术家可以通过表演来行使代理,这些表演打破了语言、文学、美学和政治的界限,旨在引发对关键问题的批判性抒情参与,或者通过声音来面对这些问题,就像唱盘一样。他们还可以在教育工作者、学习者、艺术家、活动家和学者之间的对话讲习班中发挥作用。实际上,这个问题让我们思考嘻哈是如何成为被边缘化的主体表达他们各自政治背景的工具的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction: “It’s Bigger than Hip Hop”
This double special issue explores hip hop activism and representational politics in selected countries from the global north and south. The authors in part one of this double issue offer key examples of the different forms that hip hop activism may take and offer meaningful insights into debates about agency in a media and cultural terrain that is shaped by US cultural imperialism and colonial legacies. Artists may exercise agency via performances that push linguistic, literary, aesthetic and political boundaries that aim to set off critical lyrical engagement with key issues or by confronting such issues sonically as a turntablist. They may also exercise agency in the context of workshops in dialogues between educators, learners, artists, activists and scholars. Effectively, this issue allows us to think about the ways in which hip hop has become a vehicle for marginalized subjects to address their respective political contexts.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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