时代广场:保存声音艺术的策略和偶然性

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2017-12-01 DOI:10.1162/LMJ_a_01003

Charles Eppley

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引用次数: 3

摘要

作者追溯了保存声音艺术的艺术和制度复杂性。他将这些问题置于对标志性公共声音装置《时代广场》（1977–1992；2002–至今）的分析中，该装置由声音艺术家马克斯·诺伊豪斯（1939–2009）在一个废弃的地铁通风室内建造。接下来，作者描述了它是如何帮助振兴时代广场区的，但年久失修，于1992年被拆除。作者随后描述了2002年的重建，其中纳入了长期的推测性自我保护策略。最后，作者讨论了迪亚艺术基金会对时代广场的收购，强调了保存声音艺术所面临的挑战。

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Times Square: Strategies and Contingencies of Preserving Sonic Art

The author traces the artistic and institutional complexities of preserving sonic art. He situates these problems in an analysis of the iconic public sound installation Times Square (1977–1992; 2002–present), which was constructed in an abandoned subway ventilation chamber by sonic artist Max Neuhaus (1939–2009). Next, the author describes how it aided a revitalization of the Times Square district but fell into disrepair and was dismantled in 1992. The author then describes a 2002 reconstruction that incorporated long-term speculative self-preservation strategies. Finally, the author discusses the acquisition of Times Square by the Dia Art Foundation, highlighting challenges that circumscribe preserving sonic art.

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

自引率

0.00%

发文量

期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.